ARTIST : AT THE DRIVE—IN
SONG TITLE : ENFILADE
ALBUM : RELATIONSHIP OF COMMAND
BASSIST : PAUL HINOJOS
TABBED BY : CHRISTOPHER "CRIPPY" HIGGINS
E—MAIL : [email protected]
N.B. ~ means hammer—on

Bass starts at about 0:43

1ST PART

G ——————————————————————————————————————————————————————————————————————
D ——————————————————————————————————————————————————————————————————————
A —————————————————————————————7——5—5—5—5—5—5—5—5—0—————————————————————
E —5~7——7—7—7—7——5~7——7—7—7—7————————————————————————5—5—5—5—5—5——3—————

Play this 8 times then ....

2ND PART

G ———————————————————————————————————————————————————
D ———————————————————————————————————————————————————
A ————————————————————————777——5—5—55————————————————
E ———7——7——77——7——77—77—7———————————————5—5—5—5—5——3—

in a stacatto style. Play it twice.

then the CHORUS ......

G ——————————————————————————————————————————————————————
D ——————————————————————————————————————————————————————
A —————————————————————————————————————————77—5—75—75———
E ———7—7—7—7—7————3—3—3—3—3———0—0—0—0—0—0———————————————

play 4 times.

Then back to first bit, play it 8 times,
then straight to chorus, playing that 4 times.
Then play this ......

TRANSITION BIT

G —————————————————————————————————————————
D —————————————————————————————————————————
A ——————5———7—5———7—5—————————5————————————
E ———7————————————————————7—————————5——————

Do that twice.

Then rest, from about 3:10 to 3:20,
then play second bit (stacatto) 4 times.
Then play chorus to end (around 4:30)

FORMAT

FIRST PART X 8
SECOND PART X 2
CHORUS X 4
FIRST PART X 8
CHORUS X 4
TRANSITION BIT X 2
REST (FROM 3:10 TO 3:20 ON THE C.D, APPROXIMATELY)
SECOND BIT X 4
CHORUS X LOTS UNTIL END

and that's it!! work on the rythym, once you've got it it's fine,
and good fun to play. if there are any mistakes in this,
please e—mail me corrections. Thanks, Crippy.

Corrected chorus part — thanks to Jason Haughey for that !!!
other corrected parts by moi, Crippy !

About At The Drive In

At the Drive-In was an American post-hardcore band from El Paso, Texas, active from 1993 to 2001. They were known for their extremely energetic stage shows which hearkened back to the 1980s post-hardcore scene. They were also recognized for their blend of surrealistic lyrics, unorthodox guitar melodies, and unpredictable shifts in tempo and rhythm.

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

Strings and Frets:
Each line in a tab represents a string on your bass:
- The top line is the highest-pitched string (G on a 4-string bass).
- The bottom line is the lowest-pitched string (E on a 4-string bass).
Numbers on the lines indicate which fret to press. For example:
```
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
            
```
This means you play the 3rd fret on the A string.

2. Common Techniques

Hammer-On (h):
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
```
G|-------------------|
D|-------5h7---------|
            
```
Pull-Off (p):
Pluck a note and then "pull off" your finger to let a lower fret ring.
```
G|-------------------|
D|-------7p5---------|
            
```
Slide (/ or \):
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
```
G|-------------------|
D|-------5/7---------|
            
```

3. Advanced Techniques

Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

Slap (s): Strike the string with the side of your thumb for a percussive sound.
Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

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At The Drive In — Enfilade (ver 2) bass tabs