Song— private idaho
band— b—52's
tabbed by— alyssa
intro/verse 1
G|——————————|
D|——————————|
A|——————————|
E|—0—3h5————| x19
G|——————————|
D|——————————|
A|——————————|
E|—0~———————|
chorus
G|—————————————————————————————————————|
D|—————————————————————————————————————|
A|—————————————————————————————————————|
E|—0—0(0)—3—3(3)—5—5(5)—55—77——————————| x4
verse 2
G|——————————|
D|——————————|
A|——————————|
E|—0—3h5————| x16
G|——————————|
D|——————————|
A|——————————|
E|—0~———————|
chorus
G|—————————————————————————————————————|
D|—————————————————————————————————————|
A|—————————————————————————————————————|
E|—0—0(0)—3—3(3)—5—5(5)—55—77——————————| x4
verse 2
G|——————————|
D|——————————|
A|——————————|
E|—0—3h5————| x16
G|——————————|
D|——————————|
A|——————————|
E|—0~———————|
chorus
G|—————————————————————————————————————|
D|—————————————————————————————————————|
A|—————————————————————————————————————|
E|—0—0(0)—3—3(3)—5—5(5)—55—77——————————| x6
G|—————————————————————————————————————|
D|—————————————————————————————————————|
A|—5—53—35—53—35—53—35—53—35—53—35~————|
E|—————————————————————————————————————|
The B-52s (originally formatted as The B-52's) are a New Wave rock band, formed in Athens, Georgia, United States, in 1976. In their heyday, their music was marked by the female harmonies of Cindy Wilson (vocals) and Kate Pierson (keyboards, vocals), Ricky Wilson's (guitar) surf-style guitar, Keith Strickland's (drummer) "go-go beat" drumming, and the generally spoken word or sprechgesang male vocal counterpoint of Fred Schneider (percussion, vocals). The resulting unique "guy vs. gals" vocals, sometimes used in call and response style (as in their songs "Private Idaho" and "Good Stuff"), are a trademark of the band. Presenting as a positive, enthusiastic, slightly wacky party band, the B-52s have focused on songs telling tall tales ("Rock Lobster", "Girl from Ipanema Goes to Greenland"), glorifying wild youth ("Love Shack", "Deadbeat Club"), or celebrating wild romance ("Strobe Light", "Hot Pants Explosion"), all set to a danceable New Wave beat.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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