Intro (00:23)
G|————————————————|
D|————————————————|
A|———1———3/4——4———|
E|————————————————|
Verse
G|—————————————————————————————————————————|
D|—————————————————————————————————————————|
A|———4—4—4—4—4—4—4—4—4—4—4—4———————————————|
E|————————————————————————————1———2/4——4———|
G|—————————————————————————————————————————|
D|—————————————————————————————————————————|
A|————————————————————————————6———4/1——1———|
E|———4—4—4—4—4—4—4—4—4—4—4—4———————————————|
G|—————————————————————————————————————————|
D|—————————————————————————————————————————|
A|———1—1—1—1—1—1—1—1—1—1—1—1——6———4————————|
E|——————————————————————————————————4——4———|
G|—————————————————————————————————————————|
D|—————————————————————————————————————————|
A|————————————————————————————1———3/4——————|
E|———4—4—4—4—4—4—4—4—4—4—4—4———————————2———|
Pre—Chorus
G|—————————————————————————————————————————|
D|—————————————————————————————————————————|
A|——————————————————————————————————1——————|
E|———2—2—2—2—2—2—2—2—2—2—2—2——1——1—————2———|
G|—————————————————————————————————————————————————————|
D|—————————————————————————————————————————————————————|
A|—————————————————————————————————————————————————————|
E|———2—2—2—2—2—2—2—2—2—2—2—2/4—4—4—4—4—4—4—4—4—4—4—4———|
Chorus
G|—————————————————————————————————————————————————————————————————————|
D|—————————————————————————————————————————————————————————————————————|
A|———4—4—4—4—4—4—4—4—4—4—4—4—4—4—4—4—1—1—1—1—1—1—1—1———————————————————|
E|———————————————————————————————————————————————————2—2—2—2—2—2—2—2———|
Bridge
G|———————————————————————————————————————|
D|———————————————————————————————————————|
A|———————————————————1———3/4—————————————|
E|——4—4—4—4—4—4—4—4———————————2——2—2—2———|
G|————————————————————————————————|
D|————————————————————————————————|
A|———————————————————1———3/4——4———|
E|——4—4—4—4—4—4—4—4———————————————|
Outro
G|————————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————————|
A|———4—4—4—4—4—4—4—4—4—4—4—4—4—4—4—4—1—1—1—1—1—1—1—1——————|
E|———————————————————————————————————————————————————2~———|
I'm sure you can workout when to play each bit. Only hint I am giving is after the
bridge go straight back to the verse as they link together.
Muse_Addict
bigbasstabs.
Biffy Clyro are a Scottish rock band from Ayrshire, comprising Simon Neil (guitar, lead vocals), James Johnston (bass, vocals) and Ben Johnston (drums, vocals). After their first three albums, the band expanded their following significantly with the release of their fourth, Puzzle in 2007. The album went gold in the UK, selling over 100,000 units. Biffy Clyro's popularity was built upon further in 2008 and 2009 with the release of the singles "Mountains" and "That Golden Rule", which both reached the top 10 of the UK singles chart. Their next album, Only Revolutions, reached #8 in the UK chart and went gold within days of its release in 2009.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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