Intro: in the intro you can just slide on the Estring to the root
notes. after repeating, let the A ring then build up and play
the hammer—on pull—off. this builds up to the main riff of the
song where the vocals come in.
G—————————————————:—————————————————————————
D—————————————————:—————————————————————————
A—————————————————:—————————————————————————
E—3—3/10—10\5—55—5:—3—3/10—10—5————5h7p—3—5—
Main Riff: play this riff during the verse and chorus. its ppretty
basic, sticking to the root notes but to make it more interesting
i through some little riffs when the guitar plays the A7 chord.
to get the timing down listen to the guitar as it plays the chords.
right before the next chord change is when you through in the
quick little riffs.
G———————————————2————————————————————————————:
D————————————————2——2—————————————————975————:
A—————345—5—0—0———0——0——————345—5—0—0—————75—:
E—3—3———————————————————3—3——————————————————:
then right before chorus: let the A ring to build up for the chorus.
then go back to playing the main riff.
G————————————
D————————————
A—————345—5—0*
E—3—3————————
Outro:
G———————————————————
D———————————————————
A———————————————————
E—3—3/10—10\5—55—5—3
This is a neat song. if you stick to the root notes you can add inyour
own little riffs in between chord changes to make it more interesting,
or just use this tab and add in some more hammer ons and stuff
Bob Dylan (born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter and musician. He has been a major figure in popular music for five decades. Much of his most celebrated work dates from the 1960s when he was at first an informal chronicler, and later an apparently reluctant figurehead of social unrest. A number of his songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the civil rights and anti-war movements. His early lyrics incorporated a variety of political, social and philosophical, as well as literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Dylan has both amplified and personalized musical genres, exploring numerous distinct traditions in American songfrom folk, blues and country to gospel, rock and roll and rockabilly, to English, Scottish and Irish folk music, embracing even jazz and swing.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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