Band: Broken Social Scene
Song: Almost Crimes
Tabbed By: Selvin G. Cunningham
Tuning: Standard
Instrument: Bass Guitar
Verse
G |—————————————————————————————————————————————————————————————————————————————————|
D |—————————————————————————————————————————————————————————————————————————————————|
A |—10—10—10—10—10—10—10—10—10—10—10—10—10—10—10—10—9—9—9—9—9—9—9—9—9—9—9—9—9—9—7—9—|
E |—————————————————————————————————————————————————————————————————————————————————|
Chorus
G |—————————————————————————————————|
D |—————————————————————————————————|
A |—4—4—4—4—4—4—4—4—2—2—2—2—2—2—2—2—|
E |—————————————————————————————————|
Interlude
G |——————x3—|—————————————————————————————————|
D |—————————|—————————————————————————————————|
A |—7—7—5—3—|—6—6—6—6—6—6—6—6—4—4—4—4—4—4—4—4—|
E |—————————|—————————————————————————————————|
Bridge
G |——————x7—|
D |—————————|
A |—7—7—5—3—|
E |—————————|
Outro
G |—————————————————————————————————————————————————————————————————————————|
D |—————————————————————————————————————————————————————————————————————————|
A |—6—6—6—6—4—4—4—4—3—3—3—3—3—3—3—3—10—10—10—10—9—9—9—9—10—10—10—10—9—9—9—9—|
E |—————————————————————————————————————————————————————————————————————————|
Song Order:
Rest
Verse [x2|
Chorus [x2|
Verse [x2|
Chorus [x2|
Interlude [x1|
Rest
Verse [x2|
Chorus [x2|
Verse [x2|
Chorus [x2|
Bridge [x1|
Outro [x4|
http://www.geocities.com/brokensocialsite
Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed in 1999 by Kevin Drew and Brendan Canning. All of its members currently play in various other groups and solo projects, mainly based around the city of Toronto. The band refuses the label "supergroup," based on size or the ubiquity of their members, claiming that in the indie scene everyone is involved in more than one project. The group's sound could be considered a combination of all of its members' respective musical projects, and is occasionally considered baroque pop.[citation needed] It is characterized by a very large number of sounds, grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.[citation needed]
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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