Song: FIRE
Artist: BRUCE SPRINGSTEEN
Album: LIVE 1975—'85 
————————————————————
                                                                                    
Transcribed by Emil Ortenmark, [email protected]

Standard tuning

Comments: Theres not much to this bassline but it is the very
spine of the song. If it doesnt lock in, the song falls flat.
Dig the half—step approach notes which give things a slightly
swaying feel in the bridge. 

Key:
/    = slide up
    = slide down
b    = bend (whole step)
b^   = bend (1/2 step)
b^^  = bend (1 1/2 steps)
pb   = pre—bend
r    = release—bend
t    = tap with righthand finger
h    = hammer—on
p    = pull—off
~    = Vibrato
*    = Natural Harmonic
#(#) = Trill
x    = Dead notes (no pitch)
P.M. = Palm mute (— —> underneath indicates which notes)
Tp   = Tap wplectrum



Rhythm Fig. 1
                                                   
G|————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————|
A|————————————————————————————————————————————————————|
E|——3——————3——0——0——3————————3————3——0——0——3——————————|



Rhythm Fig. 2
                                           
G|————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————|
A|————————————————————————————————————————————————————|
E|——3——————3——0——0——3—————————————————————————————————|



Rhythm Fig. 3
                                                 
G|————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————|
A|————————————————————————————————————————————————————|
E|——3——————3——0——0——3———————3————3——0——0——3——0————————|



Rhythm Fig. 4
                                                
G|————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————|
A|————————————————————————————————————————————————————|
E|——5——————5——0——0——5———————5————5——0——0——5———————————|



Rhythm Fig. 5
                                                 
G|————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————|
A|————————————————————————————————————————————————————|
E|——5——————5——0——0——5———————5————5——0——0——5——0————————|



Rhythm Fig. 6
                                                
G|————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————|
A|——7——————7————————7———————7————7————————7———————————|
E|————————————7——7——————————————————7——7——————————————|



Rhythm Fig. 7
                                                          
G|————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————|
A|————————————————————————————————————————————————————|
E|——7/—8——8——7/—8——8——7/—8——9/—10——10——9/—10——10——10—|



Rhythm Fig. 8
                                                        
G|————————————————————————————————————————————————————|
D|————————————————————————————————————————————————————|
A|————————————————————————————————————————————————————|
E|——7/—8——8——7/—8——8——7/—8——10——10——8——8——7——7——5——0——|



Rhythm Fig. 9
                                                      
G|—————————————————————————————————————————————4——————|
D|———————————————————————————4/—5——5——5——4/—5—————5———|
A|——2/—3——3——3——2/—3——3——3————————————————————————————|
E|————————————————————————————————————————————————————|


                                                      
G|—————————————————————————————————————————————4——————|
D|———————————————————————————4/—5——5——5——4/—5—————5———|
A|——4/—5——5——5——4/—5——5——5————————————————————————————|
E|————————————————————————————————————————————————————|


                                                      
G|————————————————————————————————————————————————————|
D|———————————————————————————4/—5——5——5——4/—5——6——6———|
A|——2/—3——3——3——2/—3——3——3————————————————————————————|
E|————————————————————————————————————————————————————|


                                               
G|————————————————————————————————————————————————————|
D|——7——7——7——7————————7——————————————————————————————|
A|——————————————0——0————————5—————————————————————————|
E|————————————————————————————————————————————————————|







FIRE
Springsteen


[Rhy. Fig 1| (3x)
[Rhy. Fig 2|

[Rhy. Fig 1| (2x)
[Rhy. Fig 4|
[Rhy. Fig 1|
[Rhy. Fig 4|
[Rhy. Fig 6|
[Rhy. Fig 7|

[Rhy. Fig 3| (2x)

[Rhy. Fig 3| (2x)
[Rhy. Fig 5|
[Rhy. Fig 3|
[Rhy. Fig 5|
[Rhy. Fig 6|
[Rhy. Fig 8|

[Rhy. Fig 3| (2x)

[Rhy. Fig 9|

[Rhy. Fig 3| (2x)
[Rhy. Fig 5|
[Rhy. Fig 3|
[Rhy. Fig 5|
[Rhy. Fig 6|
[Rhy. Fig 7|

[Rhy. Fig 3| (3x)
[Rhy. Fig 2|

About Bruce Springsteen

Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed "The Boss", is an American singer-songwriter. He records and tours with the E Street Band. Springsteen is widely known for his brand of heartland rock infused with pop hooks, poetic lyrics, and Americana sentiments centered on his native New Jersey.

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

Strings and Frets:
Each line in a tab represents a string on your bass:
- The top line is the highest-pitched string (G on a 4-string bass).
- The bottom line is the lowest-pitched string (E on a 4-string bass).
Numbers on the lines indicate which fret to press. For example:
```
G|-------------------|

D|-------------------|

A|---3---------------|

E|-------------------|

            
```
This means you play the 3rd fret on the A string.

2. Common Techniques

Hammer-On (h):
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
```
G|-------------------|

D|-------5h7---------|

            
```
Pull-Off (p):
Pluck a note and then "pull off" your finger to let a lower fret ring.
```
G|-------------------|

D|-------7p5---------|

            
```
Slide (/ or \):
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
```
G|-------------------|

D|-------5/7---------|

            
```

3. Advanced Techniques

Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

Slap (s): Strike the string with the side of your thumb for a percussive sound.
Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

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Bruce Springsteen — Fire bass tabs