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THREE EVILS (EMBODIED IN LOVE AND SHADOW) — Coheed and Cambria
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Tabbed By : Tim
e—mail: [email protected]
Tuning: Standard
Don't have much to say about this song. Except that the "Following you across the
interstate, walking away." part was super hard to figure out and I'm not 100% sure
I got it right but if its not 100% it's pretty darn close. With that I present to you:
Three Evils (Embodied in Love and Shadow)
Verse
G|—————————————————————————————————————————————————————————————————|
D|—————————————————————————————————————————————————————————————————|
A|——————77—7—44—4—55—5—————————————————————————777799995555————————|
E|—55—5————————————————55—5—00—0—22—2—44—4—5555—————————————7(16x)—|
Pre—chorus
G|———————————|
D|———————————|
A|———————————|
E|—9—10(32x)—|
Chorus
G|—————————————————————————————————————————————————————————————————————|
D|—————————————————————————————————————————————————————————————————————|
A|—————————————————————————————————————————————————————————————5405045—|
E|—5555555555555555—77777777—22222222—333333333333333333333333—————————|
Verse
Pre—chorus
Chorus
Bridge Part 1 ("Following you across the interstate walking away")
G|———————————————————————————————————————|
D|———————————————————————————————————————|
A|——————————045—4020—0—7—555555555555555—|
E|—2—2222222—————————————————————————————|
Part 2 ("On the wro—ong way out, on the causeway to neverwhere")
G|—————————————————————————————————————————————————————————————————————————|
D|—————————————————————————————————————————————————————————————————————————|
A|—————————————————————————————————————————————————————————————————————————|
E|—777777777777777777777777777777777—101010101010101010—99xx99xx—12——1212——|
*Ok, I know it looks weird that you're muting a string on a bass, but I swear that's what he does
Part 3 ("Dear my friend...")
G|———————————————————————————————————————————————————>
D|———————————————————————————————————————————————————>
A|———————————————————————————————————————————————————>
E|—5—555555555555554—444444444444442—222222222222220—>
>———————————————————————————————————————————————————|
>———————————————————————————————————————————————————|
>———————————————5—5555555555555555555555555—4542424—|
>—00000000000000————————————————————————————————————|
And BAM! You're done. I know it looks short, but theres lots of repitions of parts
throughout the song. If you listen, you'll figure it out. Enjoy
| / slide up
| slide down
| h hammer—on
| p pull—off
| ~ vibrato
| + harmonic
| x Mute note
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Coheed and Cambria is an American rock band from New York, formed in 1995. The band was originally named "Shabütie"; however, the name was changed to "Coheed and Cambria" when drummer Nate Kelley departed. The band incorporates aspects of progressive rock, punk rock, heavy metal and post-hardcore.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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