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Dave Matthews Band — Crush bass tabs

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CRUSH from Before These Crowded Streets
Dave Matthews Band
Originally Transcribed By Dave Silverstone ([email protected]/[email protected])
Updated by TheMixer ([email protected])
Note on Stefan's equipment for this happy little 8—minute ditty: I have a hunch that he recorded this song with his 4 string Warwick Dolphin Pro bass with flatwound jazz strings. Both of those items are extreme luxuries, so play whatever you want. The strings were used for warmth, and the bass is used because the wood it's made out of gives out those warm lows and punchy highs.
Note on the make—up of this song: Yet another hunch I have is that this song is in 4/4 time and 94 tempo. Could be an 8/4 time with a 188 tempo with a half—time feel, because they do crazy stuff like that.
IN ORDER TO GET THIS PAGE TO PRINT CORRECTLY, PRINT IT IN LANDSCAPE
Without further ado... The Song:
Intro (Fig 1)
G|——————————————|———————————————| Dave Silverstone wrote that the
D|——————————7—9—|————————7—11—9—| A to B part is a hammer—on, so try
A|—.—.———99—————|—.—.———9———————| that too. I think Stefan used both.
E|—5—7—7————————|—5—7—7—————————|
This is the main verse figure. The A/D in parenthesis is often not played. (Fig 2)
(Fig 2 a) (Fig 2 b)
G|————————————————|—————————————————|——————————7—11—9—|——————————7—11—9—7h9—|
D|————————————7—9—|——————————7—11—9—|—(.)—.———9———————|—(.)—.———9———————————|
A|—(.)—.———99—————|—(.)—.———9———————|—(5)—7—7—————————|—(5)—7—7—————————————|
E|—(5)—7—7————————|—(5)—7—7—————————|—————————————————|—————————————————————|
This part is played right after the last half of the above riff. This is also a tricky part that requires good improvisational skills. (Fig 3)
G|————————————————————————————9——————| This part is a different riff each
D|—————10——10———10———————10————10————| time he plays it. The only thing
A|———————————10———10———————10————10——| that's the same is it's a C root
E|—8—8———88——————————8—8———————————8—| chord.
(Fig 4)
"It feels so right..."
G|—————————————————|
D|—————————————————|
A|—————————————————|
E|—0—0—0—0—0—0—0—0—|
This is the beautifully chorded "Lovely lady..." riff. It uses the progression G—A—C—B and is played twice. It uses Stefan's improvisational skills as the part above. Since it would be almost impossible to tab this part of the song out, I'm going to do it like this:
(Fig 5)
G A C D
G A C D
Then the song goes back into the verse, then after a little while, it's time for...
THE BIG CHORUS!!!
This is another madly improvised section of the song with the roots this time being F—G—C—B and they go something like this:
(Fig 6)
F G C B
F G C B
F G C B
F G C B E
It looks as if it's pretty spaced out, but it's a lot closer together when you play along with the CD or your buddies. Also, the E on the last sentence of the song is Fig 4.
And last but not least:
The Violin Solo
(Fig 7 a)(Fig 7 b)
G|————————————————————|———————————————————————————————————————————————————————————|
D|————————————————————|———————————————————————————————————————————————————————————|
A|————————————————————|—————————————5—5(XX)3—3(XX)2—2(XX)1—1——————————————————————|
E|—3—3———1—1———0—0————|—3—3———1—1—————————————————————————————3—3(XXX)1—1(XXX)0—0—|
On the first time of playing the second riff, slide where the X's are on the A string. On second time of playing the second riff, play the notes on the A string with muted notes between them. Also, let the last E ring.
Song Structure:
Fig 1 x5Fig 6x1
Fig 2 a x1Fig 4x1
Fig 2 bx1Fig 7 ax2
Fig 3 x1Fig 7 bx2 (see note)
Fig 2 ax1.5Fig 5x1
Fig 2 bx1Fig 2 ax1.5
Fig 3x1Fig 2 b x1
Fig 2 ax1.5Fig 6x2
Fig 2 bx1Fig 2 ax1.5
Fig 3x1Fig 2 bx1
Fig 4x1Fig 6x1
Fig 5x1From here on out
Fig 2 ax1.5it's just a heavily
Fig 2 bx1improvised Fig 2 a+b.
Fig 3 x1Play out!
Fig 2 ax1.5
Fig 2 bx1
Fig 6x1
Fig 4x1
Fig 5x1
Fig 2 ax1.5
Fig 2 bx1
Tablature player for this song:
Dave Matthews Band - Crush  Bass Tab

About Dave Matthews Band

Dave Matthews Band, sometimes shortened to DMB, is an American rock band formed in Charlottesville, Virginia in 1991. Founding members were singer-songwriter and guitarist Dave Matthews, bassist Stefan Lessard, violinist Boyd Tinsley, drummer Carter Beauford, and saxophonist LeRoi Moore. In August 2008, LeRoi Moore died due to complications from an ATV accident. Grammy Award-winner Jeff Coffin, of Béla Fleck and the Flecktones, has since filled Moore's spot as the band's saxophonist. Rashawn Ross and Tim Reynolds have also become full time touring members of the band. With musicians who each have roots in differing genres, including jazz, classical, soul, rock, bluegrass, and hip-hop, the band has come together to create an eclectic sound which has earned them fans from a variety of quarters.

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

  • Strings and Frets:

    Each line in a tab represents a string on your bass:

    • The top line is the highest-pitched string (G on a 4-string bass).
    • The bottom line is the lowest-pitched string (E on a 4-string bass).

    Numbers on the lines indicate which fret to press. For example:

    G|-------------------|
    D|-------------------|
    A|---3---------------|
    E|-------------------|

    This means you play the 3rd fret on the A string.

2. Common Techniques

  • Hammer-On (h):

    Play the first note by picking it, then press down on a higher fret with another finger without picking again.

    G|-------------------|
    D|-------5h7---------|
  • Pull-Off (p):

    Pluck a note and then "pull off" your finger to let a lower fret ring.

    G|-------------------|
    D|-------7p5---------|
  • Slide (/ or \):

    Move your finger up (/) or down (\) the fretboard while maintaining pressure.

    G|-------------------|
    D|-------5/7---------|

3. Advanced Techniques

  • Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
  • Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
  • Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

  • Slap (s): Strike the string with the side of your thumb for a percussive sound.
  • Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

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