Naked In Front Of The Computer
by Faith No More
From the album Album Of The Year
(C) 1997 FNM Music (ASCAP)
transcribed for guitar by Alan Demafiles ([email protected])
arranged for bass by Joe White
w 3x s s s s s s s s s s s s s s e s s s s s s s s s s s e s e
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4:—||*—e—*||—e—————————————————————————————|—————————————————————————————|
4:—||*—s—*||—s—————————————————————————————|—————————————————————————————|
———||——t——||—t—5—5—5—8—8—8—8—4—4—4—7—7—7—7—|—1—1—1—1—2—2—2—2—3—3—3—4—4—5—|
Intro
+s s s s s s s s s s s s s s e s s s s s s s s s s s e s e
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|—5—5—5—5—4—4—4—4—3—3—3—2—2—2—0—|—1—1—1—1—2—2—2—2—3—3—3—4—4—5—|
Double Time
+s s s s s s s s s s s s s s e q Q e e e e e e e q e e h e e e e
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|———————————————————————————————|———e———————|—————e———e—————||*—e—e———————|
|———————————————————————————————|———s———————|—0—1—s———s—————||*—s—s———————|
|—5—5—5—5—8—8—8—8—4—4—4—7—7—7—7—|—1—t—4—4—1—|—————t—1—t—1—1—||——t—t—4—4—1—|
e e e e q e e 7x h e Q e e e e e Q 4x e e e e e Q 4x q Q e e e
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|—————e———e—————*||—e—e———||*—————e———e———*||*—————e———e———*||———e———————|
|—0—1—s———s—————*||—s—s———||*—————s———s———*||*—————s———s———*||———s———————|
|—————t—1—t—1—1——||—t—t—4—||——0—0—t—0—t—2——||——2—2—t—2—t—4——||—1—t—4—4—1—|
Chrous 2nd Verse
e e e e q e e h e e e e e e e e q e e 7x h e Q e e e e e Q 4x
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|—————e———e—————||*—e—e———————|—————e———e—————*||—e—e———||*—————e———e———*||
|—0—1—s———s—————||*—s—s———————|—0—1—s———s—————*||—s—s———||*—————s———s———*||
|—————t—1—t—1—1—||——t—t—4—4—1—|—————t—1—t—1—1——||—t—t—4—||——0—0—t—0—t—2——||
Chrous
Half Time
e e e e e Q 4x e e e e e Q 4x e e e e e Q 4x w
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||*—————e———e———*||*—————e———e———*||*—————e———e———*||*—e—*||
||*—————s———s———*||*—————s———s———*||*—————s———s———*||*—s—*||
||——2—2—t—2—t—4——||——0—0—t—0—t—2——||——2—2—t—2—t—4——||——t——||
hold Outro
s s s s s s s s s s s s s s e s s s s s s s s s s s e s e
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|—e—————————————————————————————||*—————————————————————————————|
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|—t—5—5—5—8—8—8—8—4—4—4—7—7—7—7—||——1—1—1—1—2—2—2—2—3—3—3—4—4—5—|
+s s s s s s s s s s s s s s e s s s s s s s s s s s e s e
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|—5—5—5—5—4—4—4—4—3—3—3—2—2—2—0—|—1—1—1—1—2—2—2—2—3—3—3—4—4—5—|
+s s s s s s s s s s s s s s e 2x q H
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|—5—5—5—5—8—8—8—8—4—4—4—7—7—7—7——||—1—t—||
Faith No More is an American rock band from San Francisco, California, formed originally as Faith No Man in 1981 by bassist Billy Gould, keyboardist Wade Worthington, frontman Mike Morris and drummer Mike Bordin. A year later when Wade Worthington was replaced by keyboardist Roddy Bottum, and Mike Morris was ousted, the group began calling themselves Faith No More. After going through a series of singers which included Courtney Love, the band was joined by Chuck Mosley in 1983. The same year, Jim Martin was recruited to replace guitarist Mark Bowen. The band is best known for combining elements of heavy metal, funk, progressive rock, hip hop, hardcore punk, thrash metal, and jazz, among many others, and have been hailed as an influential rock band.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------| D|-------------------| A|---3---------------| E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------| D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------| D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------| D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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