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Foo Fighters — Everlong bass tabs

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From: Samantha
This is my tabbing for Everlong by the Foo Fighters,
it is inch perfect, try it and you'll see.

Intro part — come in with the second guitar
G ———————————|—————————————|———————————|————————|—————————————|
D ———————————|—————————————|———————————|————————|—————————————|
A —5—————————|—5———————5———|———————————|————————|—————————————|
D ———————————|———————————7—|—9——————90—|5———————|9——9——9—9—9—9|

G ——————————————————|————————————————|————————————————|—————————————————|———————————————————|
D ——————————————————|————————————————|————————————————|—————————————————|———————————————————|
A ——————————————————|————————————————|————————————————|—————————————————|———————————————————|
D —9—9—9—9—9—9—9—9——|—0—0—0—0—0—0—0—0|—0—0—0—0—0—0—0—0|—9—9—9—9—9—9—9—0—|—9—9—9—9—9—9—9—9—0—|

G ——————————————————|————————————————|————————————————|
D ——————————————————|————————————————|————————————————|
A ——————————————————|————————————————|————————————————|
D —5—5—5—5—5—5—5—5——|—9—9—9—9—9—9—9—9|—9—9—9—9—9—9—9—9|

Verse — this applies for all of the verses

G ——————————————————|————————————————|————————————————|———————————————————|
D ——————————————————|————————————————|————————————————|———————————————————|
A ——————————————————|————————————————|————————————————|———————————————————|
D —0—0—0—0—0—0—0—0——|—0—0—0—0—0—0—0—0|—9—9—9—9—9—9—9—0|—9—9—9—9—9—9—9—9—0—|

G ——————————————————|————————————————|————————————————|——————————————————|————————————————|
D ——————————————————|————————————————|————————————————|——————————————————|————————————————|
A ——————————————————|————————————————|————————————————|——————————————————|————————————————|
D —5—5—5—5—5—5—5—5——|—9—9—9—9—9—9—9—9|—9—9—9—9—9—9—9—9|—0—0—0—0—0—0—0—0——|—0—0—0—0—0—0—0—0|


G ————————————————|———————————————————|————————————————|————————————————|————————————————|
D ————————————————|———————————————————|————————————————|————————————————|————————————————|
A ————————————————|———————————————————|————————————————|————————————————|————————————————|
D—9—9—9—9—9—9—9—0—|—9—9—9—9—9—9—9—9—0—|—5—5—5—5—5—5—5—5|—9—9—9—9—9—9—9—9|—9—9—9—9—9—9—9—9|

G ——————————————————|————————————————|————————————————|
D ——————————————————|————————————————|————————————————|
A ——————————————————|————————————————|————————————————|play this twice
D —0—0—0—0—0—0—0—0——|—0—0—0—0—0—0—0—7|—7—7—7—7—7—7—7—7|

if everything could feel this good.....
G ——————————————————|————————————————|————————————————|——————————————————|————————————————|————————————————|
D ——————————————————|————————————————|————————————————|——————————————————|————————————————|————————————————|
A ——————————————————|————————————————|————————————————|——————————————————|————————————————|————————————————|
D —0—0—0—0—0—0—0—9——|—0—0—0—0—0—0—0—9|—9—9—9—9—9—9—0—5|—5—5—5—5—5—5—0—0——|—0—0—0—0—0—0—0—0|—0—0—0—0—0—0—0—0|

if anything could be this good
G ————————————————|————————————————|——————————————————|————————————————|
D ————————————————|————————————————|——————————————————|————————————————|
A ————————————————|————————————————|——————————————————|————————————————|
D —9—9—9—9—9—9—0—5|—5—5—5—5—5—5—0—0|—0—0—0—0—0—0—0—0——|—0—0—0—0—0—0—0—0|

the only thing......stop when......
G ————————————————|————————————————|——————————————————|————————————————|————————————————|————————————————|
D ————————————————|————————————————|——————————————————|————————————————|————————————————|————————————————| play this twice
A ————————————————|————————————————|——————————————————|————————————————|————————————————|————————————————| at one point
D —9—9—9—9—9—9—0—5|—5—5—5—5—5—5—0—0|—0—0—0—0—0—0—0—7——|—7—7—7—7—7—7—7—7|—5—5—5—5—5—5—5—5|—5—5—5—5—5—5—5—5|

go back round to the verse when neccesary and repeat intro when neccesary, after repeating
intro
play this

G ——————————————————|————————————————|————————————————|——————————————————|————————————————|
D ——————————————————|————————————————|————————————————|——————————————————|————————————————|
A ——————————————————|————————————————|————————————————|——————————————————|————————————————|
D —5—5—5—5—5—5—5—5——|—9—9—9—9—9—9—9—9|—9—9—9—9—9—9—9—9|—0—0—0—0—0—0—0—0——|—0—0—0—0—0—0—0—0|

if everything could feel this good.....
G ——————————————————|————————————————|————————————————|——————————————————|————————————————|————————————————|
D ——————————————————|————————————————|————————————————|——————————————————|————————————————|————————————————|
A ——————————————————|————————————————|————————————————|——————————————————|————————————————|————————————————|
D —0—0—0—0—0—0—0—9——|—0—0—0—0—0—0—0—9|—9—9—9—9—9—9—0—5|—5—5—5—5—5—5—0—0——|—0—0—0—0—0—0—0—0|—0—0—0—0—0—0—0—9|


G ————————————————|————————————————|————————————————|————————————————|
D ————————————————|————————————————|————————————————|————————————————|
A ————————————————|————————————————|————————————————|————————————————|
D—9—9—9—9—9—9—0—5—|—5—5—5—5—5—5—0—0|—0—0—0—0—0—0—0—0|—0—0—0—0—0—0—0—9|

the only thing i'll ever ask of you......
G ————————————————|————————————————|————————————————|————————————————|
D ————————————————|————————————————|————————————————|————————————————|
A ————————————————|————————————————|————————————————|————————————————|
D—9—9—9—9—9—9—0—5|—5—5—5—5—5—5—0—0—|—0—0—0—0—0—0—0—0|—0—0—0—0—0—0—0—7|

G ———————————————|————————————————|————————————————|————————————————|————————————————|
D ———————————————|————————————————|————————————————|————————————————|————————————————|
A ———————————————|————————————————|————————————————|————————————————|————————————————|
D 7—7—7—7—7—7—7—7|—5—5—5—5—5—5—5—5|—5—5—5—5—5—5—5—5|—5—5—5—5—5—5—5—5|5———————————————|

Tablature player for this song:
Foo Fighters - Everlong  Bass Tab

About Foo Fighters

Foo Fighters is an American rock band from Seattle, Washington, formed in 1995. Singer and guitarist Dave Grohl formed the group as a one-man project after the dissolution of his previous band, Nirvana, in 1994. Prior to the release of the band's eponymous debut album in 1995, Grohl drafted Nate Mendel as bassist, William Goldsmith as drummer, and Pat Smear as guitarist to complete the group. The band was small, young, and they began with performances in Portland, Oregon before gaining popularity. Goldsmith left during the recording of the group's second album, The Colour and the Shape (1997), and Smear's departure followed soon afterward. They were replaced by Taylor Hawkins and Franz Stahl, respectively, although Stahl left prior to the recording of the group's third album, There Is Nothing Left to Lose (1999).

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

  • Strings and Frets:

    Each line in a tab represents a string on your bass:

    • The top line is the highest-pitched string (G on a 4-string bass).
    • The bottom line is the lowest-pitched string (E on a 4-string bass).

    Numbers on the lines indicate which fret to press. For example:

    G|-------------------|
    D|-------------------|
    A|---3---------------|
    E|-------------------|
                

    This means you play the 3rd fret on the A string.

2. Common Techniques

  • Hammer-On (h):

    Play the first note by picking it, then press down on a higher fret with another finger without picking again.

    G|-------------------|
    D|-------5h7---------|
                
  • Pull-Off (p):

    Pluck a note and then "pull off" your finger to let a lower fret ring.

    G|-------------------|
    D|-------7p5---------|
                
  • Slide (/ or \):

    Move your finger up (/) or down (\) the fretboard while maintaining pressure.

    G|-------------------|
    D|-------5/7---------|
                

3. Advanced Techniques

  • Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
  • Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
  • Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

  • Slap (s): Strike the string with the side of your thumb for a percussive sound.
  • Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

Other versions of Everlong

Comments

A plus for the effort
good job

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