
Intro:(0:02—0:23)

G|————————————————————————————————————————————————————————————————||
D|——————————————————————55p3h5——————————————————————————————————————————||
A|———————————————333—33——————————————————————33~33—33——————————————————————||
D|—222—22—55p3h5———————————————222—22—55p3h5—————————————————————————————————————————||


G|————————————————————————————————————————————————————————————————||
D|——————————————————————55p3h5——————————————————————————————————————————||
A|———————————————333—33——————————————————————33~33—33—33—33—33———————————————————||
D|—222—22—55p3h5———————————————222—22—55p3h5———————————————————2~————————||

verse and pre chorus:(0:31—1:01)
G|————————————————————————————————————————————————————————————————||
D|————————————————————————————————————————————————————————————————||
A|————————————————————————————————————————————————————————————————||
D|—22~—22~——22~—22~———————————————————————————————————————————————————||

chorus x2:(1:01—1:11)
G|————————————————————————————————————————————————————————————————||
D|————————————————————————————————————————————————————————————————||
A|————————————————————————————————————————————————————————————————||
D|—22222—5555555—0000000007p6p5—222220000022222000000—————————————————||

pre verse:(1:11—1:30)
G|————————————————————————————————————————————————————————————————||
D|—————————————————————55p3h5——————————————————————————————————————————||
A|——————————————333—33——————————————————————33~33—33———————————————————————————||
D|—222—22—55p3h5———————————————222—22—55p3h5—————————————————————————————————————||


G|————————————————————————————————————————————————————————————————||
D|——————————————————————55p3h5——————————————————————————————————————————||
A|———————————————333—33——————————————————————33~33—33—33—33—33———————————————————————||
D|—222—22—55p3h5———————————————222—22—55p3h5———————————————————2~———————————||

verse 2 x4(1:30—1:49)
G|————————————————————————————————————————————————————————————————||
D|————————————————————————————————————————————————————————————————||
A|————————3333—————————————5555—————————————————————————————————————————||
D|—2222222—————0000—2222222————0000—————————————————————————————————————————||

pre chorus (1:49—1:59)
G|————————————————————————————————————————————————————————————————||
D|————————————————————————————————————————————————————————————————||
A|—5555555577775555—55555555—7777—5555———————————————————————————————————||
D|————————————————————————————————————————————————————————————————||

chorus x2 (1:59—2:18)
G|————————————————————————————————————————————————————————————————||
D|————————————————————————————————————————————————————————————————||
A|——————————————————————————————————————————————————————————————————————————————||
D|—22222—5555555—0000000007p6p5—222220000022222000000————————————————||

screaming part x3 (2:18—2:46)
G|————————————————————————————————————————————————————————————————||
D|————————————————————————————————————————————————————————————————||
A|———————————————————3333333333————3333333333———————————————————————————————||
D|—222————2—2222———————————————————————————————————————————————————————————||

ending (2:46—3:06)
G|————————————————————————————————————————————————————————————————||
D|————————————————————————————————————————————————————————————————||
A|———————————————————3333333333————3333333333———333—333——————————————————————||
D|—222————2—2222—————————————————————————————————————————222222~——————————————————||

About From First To Last

From First to Last (sometimes shortened to FFTL) is an American post-hardcore band, based out of Los Angeles, California, originally hailing from Valdosta, Georgia and Tampa, Florida. The band released their first EP titled Aesthetic in 2003 with vocalist Phillip Reardon, followed by Dear Diary, My Teen Angst Has a Body Count in 2004 and Heroine in 2006, both with vocalist Sonny Moore. Following the departure of Moore in February 2007 to work on his solo electro/alternative project, the band added permanent bassist Matt Manning, and Matt Good moved to lead vocals/guitar. They released a self-titled album in 2008 on Suretone Records. On August 27, 2009, From First to Last confirmed on DJ Rossstar's Punk Rock Show that they have indeed left Suretone and are now signed to Rise Records. In late 2009, they parted ways with long time guitarist/vocalist Travis Richter. Their fourth studio album; Throne to the Wolves was released on March 16, 2010.

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

Strings and Frets:
Each line in a tab represents a string on your bass:
- The top line is the highest-pitched string (G on a 4-string bass).
- The bottom line is the lowest-pitched string (E on a 4-string bass).
Numbers on the lines indicate which fret to press. For example:
```
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
            
```
This means you play the 3rd fret on the A string.

2. Common Techniques

Hammer-On (h):
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
```
G|-------------------|
D|-------5h7---------|
            
```
Pull-Off (p):
Pluck a note and then "pull off" your finger to let a lower fret ring.
```
G|-------------------|
D|-------7p5---------|
            
```
Slide (/ or \):
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
```
G|-------------------|
D|-------5/7---------|
            
```

3. Advanced Techniques

Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

Slap (s): Strike the string with the side of your thumb for a percussive sound.
Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

Forum

From First To Last — Failure By Designer Jeans bass tabs