Gary Moore – Only fool in town
Blues Riff in C Blues Riff in F
G|————————————————| G|————————————————|
D|————————————————| D|—3—33———1———1———|
A|—3—33———1———1———| A|——————3———3———3—|
E|——————3———3———3—| E|————————————————|
End Riff in D# End Riff in F
G|————————————————| G|————————————————|
D|————————————————| D|——————————8———8—|
A|—6———6———6———6——| A|—8———8——————————|
E|———6———6———6———6| E|———8———8————————|
Intro;
— 1 bar rest, followed by;
— Blues Riff in C 4x
Verse1 (She'll tear you up, She'll bring you down);
— Blues Riff in C 4x
— Blues Riff in F 2x
— Blues Riff in C 2x
— End Riff in D# 1x
— End Riff in F 1x
— Blues Riff in C 2x
Verse2 (She'll make you angry, She'll make you sad);
— Played as Verse1
Bridge1 (There's somethin' about that woman);
G|————————————————|————————————————|————————————————|————————————————|
D|————————————————|————————————————|————————————————|————————————————|
A|—8——————————————|—6——————————————|————————————————|————————————————|
E|————————————————|————————————————|—6——————————————|—8——————————————|
(A=10)
G|————————————————|————————————————|————————————————|————————————————|
D|————————————————|————————————————|————————————————|——————————8———8—|
A|—8——————————————|—6——————————————|—8—6—8—6—8—6—8—6|—A—8—A—8————————|
E|————————————————|————————————————|————————————————|————————————————|
Followed by;
— Blues Riff in C 3x and;
G|————————————————|
D|————————————————|
A|—3—3—3—3—3—3—3—3|
E|————————————————|
Solo1 (24 bars);
— Played as Verse1 2x
Bridge2 (Somethin' about that woman);
G|————————————————|————————————————|————————————————|————————————————|
D|————————————————|————————————————|————————————————|————————————————|
A|—8——————————————|—6——————————————|————————————————|————————————————|
E|————————————————|————————————————|—6——————————————|—8——————————————|
G|————————————————|————————————————|————————————————|————————————————|
D|————————————————|————————————————|————————————————|————————————————|
A|—8——————————————|—6——————————————|—8—6—8—6—8—6—8—6|—10—————————————|
E|————————————————|————————————————|————————————————|————————————————|
Verse3 (She'll tear you up, She'll bring you down);
— Played as Verse1
Bridge3 (You can take it from me);
— End Riff in D# 1x
— End Riff in F 1x
— Blues Riff in C 2x
— End Riff in D# 1x
— End Riff in F 1x
— Blues Riff in C 2x
Solo2/Outro;
— Blues Riff in C 4x
— Blues Riff in F 2x
— Blues Riff in C 2x
— End Riff in D# 1x
— End Riff in F 1x
— End Riff in D# 1x
— End Riff in F 1x
— End Riff in D# 1x
— End Riff in F 1x
Followed by;
G|————————————————|————————————————|————————————————|
D|————————————————|————————————————|————————————————|
A|—3——————————————|—1——————2———————|—3——————————————|
E|————————————————|————————————————|————————————————|
At some point end with stab on C.
Gary Moore (born Robert William Gary Moore, 4 April 1952, Belfast, Northern Ireland) is a Northern Irish guitarist and singer.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------| D|-------------------| A|---3---------------| E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------| D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------| D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------| D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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