The Awakening — The Reddings Tabbed by Biorn Holmstrom (a.k.a. One Ugly
Bastard)
email: [email protected]
This song was originally made a long time ago by the band "the Reddings", but
came to my knowledge when Primus bassist Les Claypool played it on his solo
album, "Les Claypool and the Holy Mackarel presents Highball with the Devil".
(interscope 1996).
First, big thanks to Tamas Viktor ([email protected]) for his great
midi—version of this song. Most of this tab was possible because of him.
This tab is also a mixture of different other sources, I've tried to make
it resemble the way les claypool does it...but it's hard cause he plays it
different each time. Well, enjoy:
a.h = harmonic
= slide to lower note
/ = slide to higher note
V = strum downwards
^ = strum upwards
X = muted note
time: 4 beats/bar
slap/pop all notes when there's no other instructions like strum or such
( a.h ) ( a.h )
G—|————————5———————|————————————————|————————5———————|
D—|———————————5————|————————————————|———————————5————|
A—|————————————————|————————————————|————————————————|
E—|0———————————————|————————————————|0—————————————5—|
( a.h.)
G—|——————————————————7———————7—————|———————————5————|————————————————|
D—|————————————————————————————————|————————5———————|————————————————|
A—|——————————————X—5—————X—5———————|————————————————|————————————————|
E—|————————0—————————————————————0—|0———————————————|————————————————|
( a.h ) this bar is 6 quarters long; 6/4
G—|————————5———————|——————————————————7———7———7—————7———————————————|
D—|———————————5————|————————————————————————————————————————————————|
A—|————————————————|————————————————5—————————————5———5—————————————|
E—|0—————————————5—|——————————————0————————————————————————8/127———|
V V
G—|————————7———————|————————7—9—7———|————————7———7———|————————7—7/9———|
D—|————————————————|————————————————|————————————5———|——————————5/7———|
A—|———5575—————————|———5575—————————|———5575—————————|———5575—————————|
E—|0—0————0————————|0—0————0————————|0—0————0——00————|0—0————0————————|
G—|————————7———————|————————7—9—12——|————————7—9—7——6|—6——67——————————|
D—|————————————————|————————————————|————————————————|——7————5—5——57——|
A—|———5575—————————|———5575—————————|———5575—————————|——————————7—————|
E—|0—0————0————————|0—0————000—0————|0—0————0——————0—|0——0——0—0——0————|
( a.h ) ( a.h )
G—|————————5———————|————————————————|————————5———————|
D—|———————————5————|————————————————|———————————5————|
A—|————————————————|————————————————|————————————————|
E—|0———————————————|————————————————|0—————————————5—|
( a.h )
G—|——————————————————7———————9—————|———————————5*———|————————————————|
D—|————————————————————————————————|————————5———————|————————————————|
A—|——————————————X—5—————0—7———————|————————————————|————————————————|
E—|————————12—0—————————————————12|0———————————————|————————00003———|
* = special thing, make a tremolo on this harmonic by pressing the g—string
where it goes over the end of the neck.
( a.h. ) extremely short fingered notes from here: V
G—|————————5———————|————————————————|————————————————|————————————6/7—|
D—|———————————5————|————————————————|————————————————|————————————4/5—|
A—|————————————————|————————575—————|————4——5—54—————|————5—7———4—————|
E—|0—————————————5—|————————————753—|0—————0————52323|0—3—————0———————|
V V
G—|————————————————|————————————7/9—|————————————————|————————————6/7—|
D—|————————————————|————————————5/7—|————————————————|——————0———0—4/5—|
A—|————4——5—54—————|————5—7———4—————|————4——5—54—————|——0—2———2———————|
E—|0—————0————52323|0—3—————0———————|0—————0————52323|3———————————————|
G—|————————————————|————————————————|—7—7—7———7—7—7——|————————————————|
D—|————————————————|————————————————|————————————————|————————————————|
A—|————4——5—54—————|————5—5—————5—5—|5—5—5—5—5—5—5—55|575—————————————|
E—|0—————0————52323|0/3—————0/3—————|0——————0————————|———7530003555323|
This part's tricky
and not really correct either
slap all notes from here:
8 beats/bar
G—|——————————————————————————————7———9—————————————————————————————|
D—|————————————————————————————————————————————————————————————————|
A—|————————————————5—7———————————————————————————5—5—7—————————————|
E—|0———3———5———7———————5—7—0—5—7—————————0—3—5—7———————3—5—5—0—3—5—|
G—|——————————————————————————————7———9—————————————5—7—————————————|
D—|————————————————————————————————————————————————————5—7—————————|
A—|————————————————5—7———————————————————————————7—————————————————|
E—|0———3—3—5———7———————3—5—0—5—7—————————0—3—5—7———————————5—0—3—5—|
G—|——————————————————————————————7———9—————————12——————11——————10——|
D—|————————————————————————————————————————————————————————————————|
A—|————————————————5—7————————————————————/10——————9————————8——————|
E—|0———3—3—5———7———————3—5—0—5—7———————————————————————————————————|
G—|——————————————————————————————7———9—————————————————————————————|
D—|————————————————————————————————————————————————————————————————|
A—|————————————————5—7—————————————————————5—5—————5—5—5—5—5—5—————|
E—|0———3—3—5———7———————3—5—3—5—7—————————0———————0—————————————————|
V
G—|——————————————————————————————————————7—9——/11——111010—7———————|
D—|————————————————————————————————7—9—————————————————————5———————|
A—|————————————————5———5—7———7—9———————————————————————————————————|
E—|0———3—3—5———7———————————————————————————————————————————————————|
G—|————————————————————————————————————————————————————————————————|
D—|————————————————————————————————————————————————————————————————|
A—|————————————————————5—————————————————3—5———3———————————————————|
E—|0———3—3—5—7—7—7—7—0———7—3—5—3—0—3—3—0—————0———5—0—5—5—5—0—5—0—3—|
G—|————————————————————12——————————————————————————————121412——————|
D—|————————————1214————————14—————————————————1214——————————14128|
A—|————10121214————————————————————————10121214————————————————————|
E—|1012————————————0—0—————————0—0—1012————————————0—0—————————————|
les plays this bar different, but since I can't figure
it out, I stick with this variation, it sounds good too
G—|————————————————————12———9——————7—9—7—————————————————11————————|
D—|————————————1214——————————————————————9———9—7—9—7———————————————|
A—|————10121214——————————————————————————————————————9—————9———————|
E—|1012————————————0—0—————————0—0—————————0———————————0———————0—0—|
G—|——12————11————10————9———8——5———————————————————————————————————|
D—|————————————————————————————————————————————————————————————————|
A—|10——1010——9—9———8—8—————————————5—5—————————5—5—————————5/76———|
E—|——————————————————————————————————————————————————————————————0—|
G—|————————————————————————————————————————————————————————————————|
D—|————————5—7———5—————————————————————————————————————————————————|
A—|————5—7—————————————5———7———————————————————————————————————————|
E—|5—7—————————0—————0—————————————5—4—3—2—————————0———————————0/12|
G—|——12————11————10————9———8——5———————————————————————————————————|————
D—|————————————————————————————————————————————————————————————————|————
A—|10——1010——9—9———8—8—————————————5—5—————————5—5—————5/8——5/85——|————
E—|—————————————————————————————————————————————————————————slide——|0———
phew...
Most important: listen to the recordings to get this song right!!!
And email me if you have any suggestions... // Biorn Holmstrom
[email protected]
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 September 18, 1970) was an American guitarist, singer and songwriter. He is often considered to be the greatest electric guitarist in the history of rock music by other musicians and commentators in the industry, and one of the most important and influential musicians of his era across a range of genres. After initial success in Europe, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. Hendrix often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback. Hendrix was one of the musicians who popularized the wah-wah pedal in mainstream rock which he often used to deliver an exaggerated pitch in his solos, particularly with high bends and use of legato. He was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King, and Elmore James, rhythm and blues and soul guitarists Curtis Mayfield, Steve Cropper, as well as by funk and some modern jazz. In 1966, Hendrix, who played and recorded with Little Richard's band from 1964 to 1965, said, "I want to do with my guitar what Little Richard does with his voice."
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
Comments
No comments for this song yet. Go ahead and write something!Post a comment