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Joykiller — Seventeen bass tabs



Date: Sun, 27 Jul 1997 16:55:07 —0400 (EDT)
X—Sender: [email protected] (Unverified)
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To: [email protected]
From: Dave Sideserf
Subject: TAB: 'Seventeen' by 'the Joykiller'

———————————————————————————————————————
"Seventeen" By: the Joykiller
As found on the album: "the Joykiller"
———————————————————————————————————————

Intro
G|——————————————————————————————————————————————————————————————————————————||
D|———————————————————————————————————————————————————————————————————————— *||
A|——————3————————————————3——————————————————3————————————————————————————— *||
E|—5—5—————0—1—1—1—0—5—5—————0—1—1—3—3—5—5—————0—1—1—1—3—0—0—0—0—1—1—1—3—3—3||

Verse
G|————————————————————————————————————————————————————————————————————||
D|———————————————————————————————————————————————————————————————————*||
A|—————————3—3—3—3—————————————————————————3—3—3—3———————————————————*||
E|—5—5—5—5—————————1—1—1—1—0—0—0—3—5—5—5—5—————————0—0—0—0—1—1—1—3—3—3||

Chorus
G|————————————————————————————————————————————————————————————————||
D|———————————————————————————————————————————————————————————————*||
A|—————————3—3—3—3—————————————————————————3—3—3—3———————————————*||
E|—5—5—5—5—————————1—1—1—1—0—0—0—3—5—5—5—5—————————1—1—1—1—0—0—3—3||

Verse 2
G|——————————————————————————————————||
D|—————————————————————————————————*||
A|—5—5—5—5—4—4—4—4—3—3—3—3—2—2—2—2—*||
E|——————————————————————————————————||

Tabbed By: Dave Side—surf (bassist of Blind Sight)

Tablature player for this song:
Joykiller - Seventeen Bass Tab

About Joykiller

The Joykiller are a punk rock supergroup from Huntington Beach, California. The Joykiller were formed in 1995 by Jack Grisham and Ron Emory after the disbanding of their previous band T.S.O.L., they then went on to recruit Billy Persons (The Weirdos/Gun Club) on bass, Ronnie King on Keyboards, and Chris Lagerborg on drums.They recorded one album on Epitaph records "The Joykiller." Ron Emory left Late in 1996.

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

  • Strings and Frets:

    Each line in a tab represents a string on your bass:

    • The top line is the highest-pitched string (G on a 4-string bass).
    • The bottom line is the lowest-pitched string (E on a 4-string bass).

    Numbers on the lines indicate which fret to press. For example:

    G|-------------------|
    D|-------------------|
    A|---3---------------|
    E|-------------------|

    This means you play the 3rd fret on the A string.

2. Common Techniques

  • Hammer-On (h):

    Play the first note by picking it, then press down on a higher fret with another finger without picking again.

    G|-------------------|
    D|-------5h7---------|
  • Pull-Off (p):

    Pluck a note and then "pull off" your finger to let a lower fret ring.

    G|-------------------|
    D|-------7p5---------|
  • Slide (/ or \):

    Move your finger up (/) or down (\) the fretboard while maintaining pressure.

    G|-------------------|
    D|-------5/7---------|

3. Advanced Techniques

  • Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
  • Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
  • Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

  • Slap (s): Strike the string with the side of your thumb for a percussive sound.
  • Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

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