Rhythm Fig. 1
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————————————————|
Ab|—————————————————————————————————————————————|
Eb|——0——0——————0——0—————————————————————————————|
Rhythm Fig. 2a
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————————————————|
Ab|————————————————————5——5——————5——5———————————|
Eb|——0——0——————0——0—————————————————————————————|
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————————————————|
Ab|————————————————————5————5———————————————————|
Eb|——0——0————0——0————————————————4/—5——5——3——0——|
Rhythm Fig. 2b
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————————————————|
Ab|————————————————————5——5——————5——5———————————|
Eb|——0——0——————0——0—————————————————————————————|
Gb|————————————————————————————————————14———————|
Db|—————————————————————————————7/—14——————14——|
Ab|————————————————————5————5———————————————————|
Eb|——0——0————0——0———————————————————————————————|
Rhythm Fig. 2c
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————————————————|
Ab|————————————————————5——5——————5——5———————————|
Eb|——0——0——————0——0—————————————————————————————|
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————————————————|
Ab|————————————————————5————4——2——0—————————————|
Eb|——0——0————0——0——————————————————————4——2—————|
Rhythm Fig. 3
Gb|—————————————————————————————————————————————|
Db|——————————————2——————0————0————————0—————————|
Ab|———————————2—————————————————2——0—————————0——|
Eb|——0——3——4————————————————————————————————————|
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————0———————————|
Ab|————0——2——0——3——2——0———————2——3———————3——2———|
Eb|——————————————————————3——————————————————————|
Rhythm Fig. 4a
Gb|—————————————————————————————————————————————|
Db|——————————————2——————0————0————————0—————————|
Ab|———————————2—————————————————2——0—————————0——|
Eb|——0——3——4————————————————————————————————————|
Gb|—————————————————————————————————————————————|
Db|———————————0—————————————————————————————————|
Ab|————————————————————0————————————————————————|
Eb|——3——————————————————————————————————————————|
Rhythm Fig. 4b
Gb|—————————————————————————————————————————————|
Db|——————————————2——————0————0————————0—————————|
Ab|———————————2—————————————————2——0—————————0——|
Eb|——0——3——4————————————————————————————————————|
Gb|—————————————————————————————————————————————|
Db|—————————————0———————————————————————————————|
Ab|———————2——3———————3——2——0————————————————————|
Eb|——3——————————————————————————————————————————|
Rhythm Fig. 5
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————————————————|
Ab|——2——————2——2——————2————2——2————————14——————|
Eb|—————————————————————————————————————————————|
Gb|————————————————————————————————————————————|
Db|————————————————————2————x——4/6———4————2————|
Ab|—————————————————2——————————————————————————|
Eb|——0————————3——4—————————————————————————————|
Gb|—————————————————————————————————————————————|
Db|—————————————————————————————————————————————|
Ab|——2——————2——2——————2————2————————————————————|
Eb|—————————————————————————————————————————————|
Christine sixteen
Gene Simmons
[Rhy. Fig 1| (2x)
(2x)
[Rhy. Fig 3|
She's got me dizzy, she sees me through to the end
She's got me in her hands and there's no use in pretending
Christine sixteen
Christine sixteen
[Rhy. Fig 3|
She drives me crazy, I want to give her all I've got
And she's hot every day and night, there is no doubt about it
Christine sixteen
Christine sixteen
("I don't usually say things like this to girls your age, but when I saw you
coming out of the school that day, that day I knew, I knew, I've got to have
you, I've got to have you.")
[Rhy. Fig 3|
[Rhy. Fig 5|
She's' been around, but she's young and clean
I've got to have her, can't live without her, whoo no
Christine sixteen
Christine sixteen
[Rhy. Fig 1| (4x)
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah
So clean, Christine, sixteen, sixteen
Christine, yeah, Christine, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, Christine, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------| D|-------------------| A|---3---------------| E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------| D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------| D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------| D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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