They took this one off for some reason, so I put it back up.
Song: Dig
Band: Mudvayne
Inst: Bass
Tabbed by:Greg
If you want to actually hear my tabs, download Guitar Pro 4, (one of those tabbing
programs) and you can download all of my Mudvayne tabs on www.mysongbook.com!!!
Hey guys, I got a ton of time on my hands now so now I'm gonna tab every Mudvayne
song I know because I've never seen a tab on the net thats close to how I play em.
So I figured I'd start with good old Dig.
Another thing, I play lead guitar and I've been playing for about 6 years now, but
I love playing Mudvayne on bass. So I just learned every Mudvayne song off the new
album, and now I can tell what the bass lines are almost exactly, maybe its because
I know what the guitar's doing, and I can kinda "cancel out" the guitar sound. So if
anyone has access to guitars n stuff, I suggest you try it. It helps a ton.
And if anyone has any questions, comments, or requests, please feel free to email me
@ [email protected] or if ya want, add me on msn and I could play some
stuff through the comp, so ya know how it sounds or if your confused or anything.
THX
Ok, anyway less talk, more sweet Dig tabs.
Oh yeah, If you wanna see a sweet Dig video (It shows Ryan like the whole verse, real
close up) go on Kazaa and download Dig Live in Germany. Its by far the best Dig video
I've seen, besides live of course.
Tuning:
E s=slap this is like the only mudvayne song that has
B p=pluck consistent timing, so I put in the 4 beat thing
F#
B
Intro (I spread it out more so it doesnt get so cluttered)
v = 4 beats (to make it even easier)
|——————————9————————————————9—————I——————————9—————————————————9———|
|——————————8————————————————8—————I——————————8—————————————————8———|
|—————————————————————————————————I————————————————————————————————| x2
|0————0———————————0————0——————————I0————0————————————0————0————————|
s s p s s p s s p s s p
|——————————3/———————————————9————I——————————3/————————————————9——|
|——————————2/———————————————8————I——————————2/————————————————8——|
|—————————————————————————————————I————————————————————————————————| x2
|0————0———————————0————0——————————I0————0————————————0————0————————|
s s p s s p s s p s s p
Main Riff/Chorus
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|2h3—2————————————0—0—2—2—3——2——0—2h3—2—————————————0—0—2—2—3——2——0|
Dig, bury me, underneath x3 (for 1st
|—————————————————————————————————I————————————————————————————9———| chorus)
|—————————————————————————————————I————————————————————————————8———|
|—————————————————————————————————I————————————————————————————————|
|2h3—2————————————0—0—2—2—3——2——0—2h3—2———/10————————0————0————————|
s s s p
everything that I am, rearranging...
Verse 1 (for the verses, just keep you hands in a split power chord position
and just slide them up and down when necessary, exept the fills @ the end
|————————9——————————7———————9————I————————9—————————7——————————9—| —9—&—7—
|———————————————X—————————————————I——————————————X———————X—————————| ———————
[/7——7—X——————X———X———X——X————————I/7——X—X—————X———X———5———X—X—————| ex.—7—&—5—
|—————————————————————————————————I————————————————————————————————|
s s s p s p s p s s p s s s p s p s p s p s s p
I, would love to beat the face of any mutha f**ka thats thinkin....
(Fill 1)
|————————9——————————7—————9——————I———————————————————————————9——| *i studied the
|———————————————X—————————————————I—————————2—X—0h2—0h2—0h2———————| vid for a long
[/7——7—X——————X———X———X—X—————————I———————————————————————————————| time and now,
|——————————————————————————————0——I0h2——X—X—————————————————X—————| this is the
s s s p s p s p s s p s s s s p s s s s s p EXACT studio
White knuckles grip.... ...If ya want a piece a me..... fill, the live
|————————9——————————7———————9————I————————9—————————7——————————9—| is at the
|———————————————X—————————————————I——————————————X———————X—————————| bottom
[/7——7—X——————X———X———X——X————————I/7——X—X—————X———X———5———X—X—————|
|—————————————————————————————————I————————————————————————————————|
s s s p s p s p s s p s s s p s p s p s p s s p
I'm drowning...... Sh*t rubbed......
(Fill 2)
|————————9——————————7——————5——4——I————————0———————————0———————————| *same, this is
|———————————————X—————————————————I—————————————————————————7p5————| the EXACT
[/7——7—X——————X———X———5—X—(3)(2)—I—————————————————————————————5—| studio, and he
|—————————————————————————————————I2———X—X—————2/7———X——2/7————————| plays this one
s s s p s s s p s s s s s s s p s s ps s s live
Teething..... Gums bleeding....
Verse 2 (V.2 is the same except the 2 fills at the ends, just substitute them)
(Fill 3)
|————————9——————————7—————9——————I——————————0————————X———14~~~————|
|———————————————X—————————————————I———————————————————X————————16—|
[/7——7—X——————X———X———X—X——————0——I———————————————————X————————————|
|—————————————————————————————————I2————X—X—————2—————X————————————|
s s s p s p s p s s p s s s s p s
Work from their T's..... I ain't sellin myself when.....
(Fill 4)
|————————9——————————7—————9——————I—————————0——————————0—————————————|
|———————————————X—————————————————I————————————————————————————7p5———|
[/7——7—X——————X———X———X—X——————0——I————————————————————————————————7|
|—————————————————————————————————I2————X—X————2/(7)—X———2/(7)———————|
s s s p s p s p s s p s s s s p s s p s s s s
F**k you.. To f**k me.....
Bridge
|7————8————9———12————11———10——————|
|7————8————9———12————11———10——————|
|5————6————7———10————9————8———————|
|—————————————————————————————————|
you ain't f**kin changin....
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————| x2
|2h3—2————————————————————————————2h3—2————————————————————————————|
Dig Dig
|———————————X——————X———X——X——X——X—I——————————X———————X———X——X——X——X]
|———————————X——————X———X——X——X——X—I——————————X———————X———X——X——X——X]
|———————————X——————X———X——X——X——X—I——————————X———————X———X——X——X——X] x2
|2h3—2——————X——————X———X——X——X——X—2h3—2——————X———————X———X——X——X——X]
Dig come on mutha f**ka Dig come on mutha f**ka
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|2——2——————————————0h2——2—————————2——2————————————0h2——2———————————|
Let me help you tie the rope around your neck
|——————————3———————————————3——————I—————————3———————————————3——————|
|——————————2———————————————2——————I—————————2———————————————2——————|
|—————————————————————————————————I————————————————————————————————|
|0————0——————————0————0———————————0————0——————————0————0———————————|
s s p s s p s s p s s p
Let me help to talk you the wrong way of the ledge
|——————————3/——————————————3/—————I—————————3/——————————————9—————|
|——————————2/——————————————2/—————I—————————2/——————————————8—————|
|—————————————————————————————————I————————————————————————————————|
|0————0——————————0————0———————————0————0——————————0————0———————————|
s s p s s p s s p s s p
Let me help you hold the glock against your head
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|0————2————6————5———————5h6—5—————5h6—5——————5h6—5——————5h6—5—————|
Let me help you tie the rope around your neck
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|—————————————————————————————————I————————————————————————————————|
|0————2————6————5———————5h6—5—————5h6—5——————5h6————0————/10~~~~~—|
Let me help to talk you the wrong way off the ledge
Thats the whole song, again if you have any questions, comments, requests, please
email me, or if you are confused or need me to play a part for ya, add me to your
MSN thing if ya want, I dont mind
Thanks for checkin out the tab
Greg
If you need me to play the fills like slower or something, so ya know how to do them,
(now that i know em like PERFECT), talk to me on
msn, and hopefully you have speakers so i can play for ya!!!
If you have the dig dvd, i strongly advise you to change the angle (so it shows ryan
the whole time) and watch the studio fills, you WILL SEE that they're dead on.
He does some of the fills different live so here they are)
(Live Fill 1)
|————————9——————————7—————9——————I—————————0—————————7———————9——|
|———————————————X—————————————————I———————————————————————————————|
[/7——7—X——————X———X———X—X—————————I—————————————/5——X————X——X—————|
|——————————————————————————————0——I0h2——X—X———————————————————————|
s s s p s p s p s s p s s s s p s s p s s p
White knuckles grip...
Mudvayne is an American heavy metal band formed in Peoria, Illinois in 1996. Members are lead singer Chad Gray, guitarist Greg Tribbett, bassist Ryan Martinie and drummer Matthew McDonough. Signed onto Epic Records, Mudvayne has released five studio albums, two compilations albums, and two DVDs.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------| D|-------------------| A|---3---------------| E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------| D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------| D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------| D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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