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———————5—2—————————5—3—0—2—————5—3—0————————————————————————————
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—0—0—0—————————0—0—————————0—0———————4—5—6—7————————————————————
Bridge
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—5—4—0————————————————3—2——————————————540—32———————————————————
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Chorus w/ variation
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———————3——————————————————————3——————————————————————3—————7———7—5—35——3—5
—0—3—5———535————————————0—3—5———535————————————0—3—5———535————————————3———
—————————————5—4—3—4————————————————5—4—3—4———————————————————————————————
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———————3———————————————3——————————————————————————————————————————
—0—3—5———535—————————5————————————————————————————————————————————
—————————————5—4—3—4——————————————————————————————————————————————
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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seriously though, I saw a lot of not correct ones before this one that seems right on so….right on, man!
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