HIT ME WITH YOUR BEST SHOT (Bassline)
                           As recorded by Pat Benatar

Words and Music by Eddie Schwartz
[email protected]

Gtr I (E A D G)

   Intro
    Moderate Rock Q=128
   4/4
    Q  E E q  E E   E E E E +H       q  E E q  E E   E E E E E E Q
||————————————————|————————————————|———————————————|—————————————————||
||o———————————————|————————————————|———————————————|————————————————o||
||o——————0—0————4—|—4———2—2—(2)————|——————0—0————4—|—4—2—2—0—0—2—2——o||
||——0—————————————|————————————————|—0—————————————|—————————————————||


   Verse1, 2 and solo
    H    +E  E E E   +H     E E E E   +Q.   E Q.   E   E E E E +E  Q  E
||—————————————————|————————————————|————————————————|——————————————————|
||o————————————————|————————————————|————————————————|——————————————————|
||o——————————6———4—|—(4)——————0———2—|—(2)———2—2————2—|—2—2—2—2—(2)—2——2—|
||——0————(0)———————|————————————————|————————————————|——————————————————|


  H    +E  E E E   +H     E E E E   +Q.   E Q.   E   E E E E E E Q
|————————————————|————————————————|————————————————|——————————————————||
|————————————————|————————————————|————————————————|——————————————————||
|——————————6———4—|—(4)——————0———2—|—(2)———2—2————2—|—2—2—2—2—2—2—2/———||
|—0————(0)———————|————————————————|————————————————|——————————————————||


 1st & 2nd Chorus
  q  E E q  E E   E E E E +H       q  E E q  E E   E E E E E E Q
|———————————————|————————————————|———————————————|—————————————————|
|———————————————|————————————————|———————————————|—————————————————|
|——————0—0————4—|—4———2—2—(2)————|——————0—0————4—|—4—2—2—0—0—2—2———|
|—0—————————————|————————————————|—0—————————————|—————————————————|


                                                  1.,2.
  q  E E q  E E   E E E E +H       q  E E q  E E   E E E E E E Q    3x
|———————————————|————————————————|———————————————|——————————————————||
|———————————————|————————————————|———————————————|—————————————————o||
|——————0—0————4—|—4———2—2—(2)————|——————0—0————4—|—4—2—2—0—0—2—2———o||
|—0—————————————|————————————————|—0—————————————|——————————————————||


                     3rd Verse
  3.
  E E E E E E Q       q  E E q  E E   Q  Q  E E E E   E E E E E E E E
|—————————————————||————————————————|———————————————|——————————————————|
|—————————————————||o———————————————|———————————————|———4—————————4————|
|—4—2—2—0—0—2—2/——||o—7————7—6————6—|—4———————————4—|—————2—————2——————|
|—————————————————||————————————————|—————————2—4———|——————————————————|


                                        3rd Chorus
  1.                 2.
  E E E E E E E E     E E E E E E E E    Q  e E H      W
|—4————————————————||—4———————————————||—————————————|——————|
|———2—————————————o||———4—————————————||—————————————|——————|
|—————2—————4———6—o||—————2—2—2—2—2—2—||—————————————|——————|
|——————————————————||—————————————————||————0————————|——————|


  W          +W           E E E E E E E E   E E E E E E E E   E E E E E E E E
|——————————|————————————|—————————————————|—————————————————|——————————————————|
|——————————|————————————|—————————————————|—————————————————|——————————————————|
|——————————|————————————|—————————————————|—————————————————|——————————————————|
|—0————————|—(0)————————|———0—0—0—0—0—0—0—|—0—0—0—0—0—0—0—0—|—0—0—0—0—0—0—0—0——|


                    Out—Chorus
  E E E E E E E e    q  E E q  E E   E E E E +H       q  E E q  E E
|—————————————————||———————————————|————————————————|————————————————|
|—————————————————||———————————————|————————————————|————————————————|
|—————————————————||——————0—0————4—|—4———2—2—(2)————|——————0—0————4——|
|—0—0—0—0—0—0—0—0—||—0—————————————|————————————————|—0——————————————|


  E E E E E E Q    q  E E q  E E   E E E E +H       q  E E q  E E
|————————————————|———————————————|————————————————|————————————————|
|————————————————|———————————————|————————————————|————————————————|
|—4—2—2—0—0—2—2——|——————0—0————4—|—4———2—2—(2)————|——————0—0————4——|
|————————————————|—0—————————————|————————————————|—0——————————————|


  E E E E E E E E   +q   E E q  E E   E E E E E E E E   Q  E E q  E E
|—————————————————|—————————————————|—————————————————|————————————————|
|—————————————————|—————————————————|—————————————————|————————————————|
|—4—2—2—0—0—2—————|————————0—0————4—|—4———2—0—0—2—————|——————0—0————4——|
|———————————————0—|—(0)—————————————|———————————————0—|————————————————|


  E E E E E E E E   Q  E E q  E E
|—————————————————|———————————————|
|—————————————————|———————————————|
|—4—2—2—0—0—2—————|——————0—0————4—|
|———————————————0—|———————————————|


                        TP
  E E E E E E E E   E E H.        +H.      q
|—————————————————:—————————————|——————————————*|
|—————————————————:—————————————|——————————————*|
|—4—2—2—0—0—2———2—:—————————————|——————————————*|
|—————————————————:—0———0———————|—(0)——————0———*|


Duration Legend
———————————————
W — whole; H — half; Q — quarter; E — 8th; S — 16th; T — 32nd; X — 64th; a — acciaccatura
+ — note tied to previous; . — note dotted; .. — note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi—
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Misc Legend
———————————
 |  — bar
||  — double bar
||o — repeat start
o|| — repeat end
*|  — double bar (ending)
 :  — bar (freetime)
 $  — Segno
 &  — Coda
Tempo markers —  = BPM(8/16=s8/s16), where s8 = swing 8ths, 
s16 = swing 16ths


***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen — http://powertab.guitarnetwork.org *
***************************************************************************************

About Pat Benatar

Pat Benatar (born January 10, 1953) is a four-time Grammy Award-winning American singer best known for her mezzo-soprano vocal range and establishing herself as one of rock's top vocalists and one of music's top-selling female artists with hit songs such as "Love Is a Battlefield", "Hit Me with Your Best Shot", "We Belong" and "Heartbreaker". Benatar is one of the top-selling female artists of all-time, and one of the 1980s Top Platinum Album Recipients, according to the Recording Industry Association of America with two RIAA-certified Multi-Platinum albums and five RIAA-certified Platinum albums, plus three RIAA-certified Gold albums and 19 Top 40 singles to her credit.

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

Strings and Frets:
Each line in a tab represents a string on your bass:
- The top line is the highest-pitched string (G on a 4-string bass).
- The bottom line is the lowest-pitched string (E on a 4-string bass).
Numbers on the lines indicate which fret to press. For example:
```
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
            
```
This means you play the 3rd fret on the A string.

2. Common Techniques

Hammer-On (h):
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
```
G|-------------------|
D|-------5h7---------|
            
```
Pull-Off (p):
Pluck a note and then "pull off" your finger to let a lower fret ring.
```
G|-------------------|
D|-------7p5---------|
            
```
Slide (/ or \):
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
```
G|-------------------|
D|-------5/7---------|
            
```

3. Advanced Techniques

Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

Slap (s): Strike the string with the side of your thumb for a percussive sound.
Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

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Pat Benatar — Hit Me With Your Best Shot bass tabs