for this tab i think you need a five sting
figured this out from the studio version
opening Groove — Play 4x
G—————————————————————————
D—————————————————————————
A—3—————————————(1)———————
E———————1—1—2—3———————————
B———4—4———————————————————
Verses
P P P P P P P
G—5——————3————2—————5—————3—————2—————————————
D———————————————————————————————————3—————————
A———3—————————————————3———————————————————(1)—
E———————————1———2—3———————————————1———2—3—————
B—————4—————————————————4———(4)———————————————
Choruses
Basically the same as the verses, but he stops
the slap feel sometimes, note the alterations with the C#
P P P P P
G—5—————3———2—————5———————————————————————2——————————————————————
D————————————————————————————————————————————————————————————————
A———3———————————————3———————————————3———————————(1)—3—4——————————
E—————————1———2—3—————————(1)—1—2—3—————1———2—3—————————1—1—2—3——
B—————4———————————————4—3—————————————4——————————————————————————
Bridge #1
This part rolls on G octaves, with little nuances and ad—libs
Here is one way to interpret it.
Etc.=>
G—————————(0)——————(0)———————————————————(0)—
D———5———5————————5—————————————5——————17—————
A————————————————————————————————————————————
E—3———3——————3—3———————3—(3)—3———3>15————————
B————————————————————————————————————————————
Guitar Solo — 8x
The intro groove is played throughout
G—————————————————————————
D—————————————————————————
A—3—————————————(1)———————
E———————1—1—2—3———————————
B———4—4———————————————————
Outro / Bridge #2
First 4x mirrors the 1st bridge (sort of), then he throws in some typical weirdness!
I fool around with the octaves and the open G string just to spice it up
G—————————(0)——————(0)———————————————————(0)—
D———5———5————————5—————————————5——————17—————
A————————————————————————————————————————————
E—3———3——————3—3———————3—(3)—3———3>15————————
B————————————————————————————————————————————
Then he adds this little alteration
G—————————————————————————————————————————————
D———5———————————5———5—————————————5———5———————
A—————5—6—7———————————5—6—7—————————————5—6—7—
E—3—————————3—3———3—————————(1)—3———3—————————
B—————————————————————————————————————————————
Phish is an American rock band noted for its musical improvisation, extended jams, exploration of music across genres and devoted fan base. Formed at the University of Vermont in 1983, the band's four members performed together for over 20 years until an official breakup in August 2004. The band reunited in 2009 for three shows at the Hampton Coliseum in Hampton, Virginia, and have resumed their former activities with a full summer, a fall tour, a new album titled Joy, their eighth festival in Indio, California, and four shows in Miami, Florida, culminating on New Year's Eve.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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