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Pink Floyd — Another Brick In The Wall Pt 1 bass tabs

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Pink Floyd - Another Brick In The Wall Pt 1 Bass Tab Pink Floyd - Another Brick In The Wall Pt 1 Bass Tab 



#——————————————————————————————————PLEASE NOTE—————————————————————————————————#
#This file is the author's own work and represents their interpretation 
of the #
#song. You may only use this file for private study, scholarship, 
or research. #
#——————————————————————————————————————————————————————————————————————————————##

                 ANOTHER BRICK IN THE WALL    PART 1 (Bassline)
                            As recorded by Pink Floyd
                         (From the 1979 Album THE WALL)

Words and Music by Roger Waters
Arranged by Roger Waters, David Gilmour, Nick Mason, Richard Wright
Transcribed by Connor
Gtr I (E A D G) — 'Untitled'

 Intro
  Q=90
 4/4
  Gtr I
  Wx10
|—————————|
|—————————|
|—————————|
|—————————|


 Verse
  W          H    Q  E E   W          +W
|——————————|—————————————|——————————|————————|
|——————————|—————————————|—0————————|—(0)————|
|——————————|———————————3—|——————————|————————|
|——————————|—————————5———|——————————|————————|


  Wx16
|—————————|
|—————————|
|—————————|
|—————————|


 Chorus
  W          W          W          +W
|——————————|——————————|——————————|————————|
|——————————|——————————|——————————|————————|
|——————————|—3————————|—5————————|—(5)————|
|—1————————|——————————|——————————|————————|


  W          W          W          +W
|——————————|——————————|——————————|————————|
|——————————|——————————|——————————|————————|
|——————————|—3————————|—5————————|—(5)————|
|—1————————|——————————|——————————|————————|


 Outro
  Wx4
|————————|
|————————|
|————————|
|————————|


  Q  E E E Q  E   E Q  E E Q  E   E Q  E E Q  E
|———————————————|———————————————|————————————————|
|———————————————|———————————————|————————————————|
|—5————3h5————3h|=5————3h5————3h|=5————3h5————3h=|
|———————————————|———————————————|————————————————|


  Q  E E E Q  E   E Q  E E Q  E   E Q  E E Q  E
|———————————————|———————————————|————————————————|
|———————————————|———————————————|————————————————|
|—5————3h5————3h|=5————3h5————3h|=5————3h5————3h=|
|———————————————|———————————————|————————————————|


  Q  E E E Q  E   E Q  E E Q  E   E Q  E E Q  E
|———————————————|———————————————|———————————————|
|———————————————|———————————————|———————————————|
|—5————3h5————3h|=5————3h5————3h|=5————3h5————3—|
|———————————————|———————————————|———————————————|


  E Q  E E S S S S S S   S S E Q  H      H    Q  E E
|——————————————————————|———————————————|—————————————|
|——————————————————————|———————————————|—————————————|
|—5————3h5—3—3—3—3—3—3—|—3h5———————————|—————————3h5—|
|——————————————————————|———————————————|—————————————|


  Q  E E E Q  E   Q  E E E Q  E   Q  E E E Q  E   E Q  E Q  Q
|———————————————|———————————————|———————————————|——————————————|
|———————————————|———————————————|———————————————|——————————————|
|—5————3h5————0—|—5————3h5————0—|—5————3h5————0—|—5————5—0——3——|
|———————————————|———————————————|———————————————|——————————————|


  Q  E E E Q  E   E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E
|———————————————|———————————————|———————————————|———————————————|
|———————————————|—0————7————————|—————————————7—|—————————————7—|
|—5————3h5————0—|————————5————3h|=5————3h5——————|—5————3h5——————|
|———————————————|———————————————|———————————————|———————————————|


  E Q  E Q  Q    E Q  E E Q  E   Q  E E E Q  E   E Q  E Q  Q
|——————————————|———————————————|———————————————|———————————————|
|——————————————|—————————————7—|———————————————|——————7————————|
|—5————5—0——3h=|=5————3h5——————|—5————3h5————3h|=5——————0——3h==|
|——————————————|———————————————|———————————————|———————————————|


  E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E   E Q  E Q  Q
|———————————————|———————————————|———————————————|———————————————|
|—————————————7—|———————————————|——————7—0——————|——————7————————|
|—5————3h5——————|—5————3h5————0h|=5———————————3h|=5——————0——3h==|
|———————————————|———————————————|———————————————|———————————————|


  E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E   E Q  E Q  Q
|———————————————|———————————————|———————————————|———————————————|
|———————————————|——————7—0——————|—————————————7—|——————7————————|
|—5————3h5————3h|=5———————————3h|=5————0h5——————|—5——————0——3h==|
|———————————————|———————————————|———————————————|———————————————|


  E Q  E E Q  E   Q  E E E Q  E   E Q  E E Q  E   E Q  E Q  Q
|———————————————|———————————————|———————————————|———————————————|
|—————————————7—|———————————————|——————7—0——————|——————7————————|
|—5————3h5——————|—5————3h5————0—|—5———————————3h|=5——————0——3h==|
|———————————————|———————————————|———————————————|———————————————|


  E Q  E E Q  E   Q  E E E Q  E   E Q  E E Q  E   E Q  E Q  Q
|———————————————|———————————————|———————————————|———————————————|
|———————————————|—————————————7—|—0—————————————|——————7————————|
|—5————3h5————3h|=5————3h5——————|——————3h5————3h|=5——————0——3h==|
|———————————————|———————————————|———————————————|———————————————|


  E Q  E E Q  E   Q  E E E Q  E   E Q  E E Q  E   E Q  E Q  Q
|———————————————|———————————————|———————————————|——————————————|
|—————————————7—|———————————————|——————7—0——————|——————7———————|
|—5————3h5——————|—5————3h5————0h|=5———————————3h|=5——————0——3——|
|———————————————|———————————————|———————————————|——————————————|


  W          W          W          W
|——————————|——————————|——————————|——————*|
|——————————|——————————|——————————|——————*|
|—5————————|——————————|——————————|——————*|
|——————————|——————————|——————————|——————*|


Duration Legend
———————————————
W — whole; H — half; Q — quarter; E — 8th; S — 16th; T — 32nd; X — 64th; 
a — acciaccatura
+ — note tied to previous; . — note dotted; .. — note double dotted
Uncapitalized letters represent notes that are staccato (1/2 
duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret 
number it represents the
duration for.  Duration letters with no fret number below them 
represent rests.  Multi—
bar rests are notated in the form Wxn, where n is the number of 
bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
————————————————
 h   — hammer—on
 p   — pull—off
 b   — bend
 pb  — pre—bend
 r   — bend release (if no number after the r, then release immediately)
 /\  — slide into or out of (from/to "nowhere")
 s   — legato slide
 S   — shift slide
  — natural harmonic
  — artificial harmonic
n(n) — tapped harmonic
 ~   — vibrato
 tr  — trill
 T   — tap
 TP  — trem. picking
 PM  — palm muting
\n/  — tremolo bar dip; n = amount to dip
 \n  — tremolo bar down
 n/  — tremolo bar up
/n\  — tremolo bar inverted dip
 =   — hold bend; also acts as connecting device for hammers/pulls
 <>  — volume swell (louder/softer)
 x   — on rhythm slash represents muted slash
 o   — on rhythm slash represents single note slash

Misc Legend
———————————
 |  — bar
||  — double bar
||o — repeat start
o|| — repeat end
*|  — double bar (ending)
 :  — bar (freetime)
 $  — Segno
 &  — Coda
Tempo markers —  = BPM(8/16=s8/s16), 
where s8 = swing 8ths, s16 = swing 16ths


***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen — http://powertab.guitarnetwork.org 
*
***************************************************************************************
Tablature player for this song:
Pink Floyd - Another Brick In The Wall Pt 1 Bass Tab

About Pink Floyd

Pink Floyd were an English rock band who earned recognition for their psychedelic music in the late 1960s, and as they evolved in the 1970s, for their progressive rock music. Pink Floyd's work is marked by the use of philosophical lyrics, sonic experimentation, innovative album cover art, and elaborate live shows. One of rock music's most critically acclaimed and commercially successful acts, the group have sold over 200 million albums worldwide, including 74.5 million certified units in the United States, making them one of the best-selling music artists of all time.

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

  • Strings and Frets:

    Each line in a tab represents a string on your bass:

    • The top line is the highest-pitched string (G on a 4-string bass).
    • The bottom line is the lowest-pitched string (E on a 4-string bass).

    Numbers on the lines indicate which fret to press. For example:

    G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|

    This means you play the 3rd fret on the A string.

2. Common Techniques

  • Hammer-On (h):

    Play the first note by picking it, then press down on a higher fret with another finger without picking again.

    G|-------------------|
D|-------5h7---------|
  • Pull-Off (p):

    Pluck a note and then "pull off" your finger to let a lower fret ring.

    G|-------------------|
D|-------7p5---------|
  • Slide (/ or \):

    Move your finger up (/) or down (\) the fretboard while maintaining pressure.

    G|-------------------|
D|-------5/7---------|

3. Advanced Techniques

  • Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
  • Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
  • Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

  • Slap (s): Strike the string with the side of your thumb for a percussive sound.
  • Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

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