refused— summerholidays vs. punkroutine
tabbed by tom tha bassist
bass intro
g————————————————————————————
d——2—2—2—2—2—2—2—2—2—————————
a————————————————————————————
e————————————————————————————
Verse
g————————————————————————————————————————
d——————————2—2——————————2—0——————————————
a————————————————————————————————————————
e——0—2—4————————0—2—4———————————————————
chorus variation
g———————————————————————————————————————————
d——2—2—2———————2—2—2———————4—4—4——0—0———————
a———————————————————————————————————————————
e——————————0——0————————0——0—————————————————
Chorus
g—————————————————0—0————0———————————————————————0h————————
d——2—2—2——————2—2—————2—————4—4—4——0——0————————————————————
a—————————————————————————————————————————————0—0—0————————
e————————0—0———————————————————————————————————————————————
bass solo
g———————————————————————————————————————
d——4—4—4—0——4—4—0——4—4—0——4—2—0—————————
d———————————————————————————————————————
e———————————————————————————————————————
bass solo— part 2
g———————————————————————————————————————————————————————————
d——————————————————————0—————————0———————0———————0—————————
a——2—2—2—2—2—2—2—2—0—2———2—————2——————2———————2————————————
e——————————————————————————2—2——————2———————2———————2—2————
bass solo— part 3
g—————————————————————————————————————————————————————
d—————————————————————————————————————————————————————
a—————————————————————————————————————————————————————
e———0—0—0—0—0—0—0—0——0—2—3—0h—3—2—0———————————————————
bass solo— riff 4
g———————————————————————————————————————————————————————————
d———————————————————————————————————————————————————————
a—2—2—2———2—2———2—2———2————————————————————————————————
e———————3————3——————3———3—2—0—0—0—0—0—0—0—0—2—3—0h——3—2—0———
bass solo— riff 5
g———————————————————————————————————————————————————————————
d————————————————————4—4—4—4—2—2—2—2—0—0—0—0————————————————
a——2—2—2———2—2———2—2————————————————————————3—3—3—3—2—2—2—2—
e————————3—————3————————————————————————————————————————————
outro
g—————————————————————————————————————————————————————————
d——4—4—4—4—2—2—2—2—0—0—0—0—————————2—2—2—2—2—2—2—2————————
a——————————————————————————3—3—3—3————————————————————————
e—————————————————————————————————————————————————————————
order:
guitar intro
guitar chord intro x2
bass+guitar intro x2
verse x8
chorus x2
verse x9
2 or so beats rest
chorus x5
chorus variation
bass solo
bass solo 2 x5
bass solo 3 x4
bass solo 4 x3
bass solo 5
chorus x4
chorus variation x2
outro
Refused was a Swedish hardcore punk band originating from Umeå, Sweden, formed in 1991. To date, the band released five EPs and three albums, before splitting up in 1998. Kerrang! placed The Shape of Punk To Come at #13 on their 50 Most Important Albums Of All Time list.
Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------|
D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------|
D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------|
D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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