intro
G|—16—16—16—16—16—16—16—16—13—13—13—13—13—13—13—13—13—13—13—13—13—13—13—13
D|————————————————————————————————————————————————————————————————————————  
A|————————————————————————————————————————————————————————————————————————
E|————————————————————————————————————————————————————————————————————————

G|—9—9—9—9—9—9—9—9—9—9—9—9—9—9—9—9—16—16—16—16—16—16—16—16—16—16—16—16—16—16—————
D|———————————————————————————————————————————————————————————————————————————————
A|———————————————————————————————————————————————————————————————————————————127
E|———————————————————————————————————————————————————————————————————————————————

verse
G|———————————————————————————————————————————————————————————————————
D|———————————————————————————————————————————————————————————————————
A|—7—7—7—7—7—7—7—7—7—7—7—7—7—7—7—74—4—4—4—4—4—4—4—4—4—4—4—4—4—4—4—4
E|———————————————————————————————————————————————————————————————————

G|————————————————————————————————————————————————————————————————
D|————————————————————————————————————————————————————————————————
A|—0—0—0—0—0—0—0—0—0—0—0—0—0—0—0—0—7—7—7—7—7—7—7—7—7—7—7—7—7—7—6—6
E|————————————————————————————————————————————————————————————————

chorus
G|———————————
D|———————————
A|—12!—7>—6—6
E|———————————

after chorus
G|————————————————————————————————————————————————————————————————————————————————————————————
D|————————————————————————————————————————————————————————————————————————————————————————————
A|—7—7—7—7—7—7—7—7—7—7—7—7—7—7—7—7—2—2—2—2—2—2—2—2—2—2—2—2—2—2—0—0—0—0—0—0—0—0—0—0—0—0—0—0—6—6
E|————————————————————————————————————————————————————————————————————————————————————————————

outro
G|—16—16—16—16—16—16—16—16—16—16—16—16—16—16—16—16
D|————————————————————————————————————————————————
A|————————————————————————————————————————————————
E|————————————————————————————————————————————————

inro
verse x3
chorus
verse x2
chorus x2
after chorus x2
verse x2
chorus x2
after chorus x3 last time you play this miss out the —6—6 at the end
outro

About Stereophonics

Stereophonics are a British rock band that formed in 1992 in Cwmaman, Wales. The band currently comprises lead vocalist and guitarist Kelly Jones, bassist and backing vocalist Richard Jones, drummer Javier Weyler, guitarist and backing vocalist Adam Zindani and touring member Tony Kirkham (keyboards), the group having originally also included drummer Stuart Cable. Stereophonics have released seven studio albums, five of which have topped the UK Albums Chart. Their seventh, Keep Calm and Carry On, was released in November 2009 but did not make the Top 10. A successful compilation album was also released in November 2008 Decade in the Sun charting at number two in the United Kingdom. The band is part of the Cardiff music scene.

How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:

1. The Basics

Strings and Frets:
Each line in a tab represents a string on your bass:
- The top line is the highest-pitched string (G on a 4-string bass).
- The bottom line is the lowest-pitched string (E on a 4-string bass).
Numbers on the lines indicate which fret to press. For example:
```
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
            
```
This means you play the 3rd fret on the A string.

2. Common Techniques

Hammer-On (h):
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
```
G|-------------------|
D|-------5h7---------|
            
```
Pull-Off (p):
Pluck a note and then "pull off" your finger to let a lower fret ring.
```
G|-------------------|
D|-------7p5---------|
            
```
Slide (/ or \):
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
```
G|-------------------|
D|-------5/7---------|
            
```

3. Advanced Techniques

Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.

4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.

5. Slap and Pop

Slap (s): Strike the string with the side of your thumb for a percussive sound.
Pop (p): Pull the string away from the fretboard and let it snap back.

Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸

Forum

Stereophonics — Dakota bass tabs