Drop D.
Intro
|————————————————————————————| Play this the first time real slow and palm
|*——————————————————————————*| muted. Also, the first and some other times
|*——————————————————————————*| the F is played a lot more than I wrote.
|——5—5—6—6—5—5——3—3—3—0======| sometimes after the main part there are
little fills like:
Little fills (Played later)
|————————————+————————13—13—13—13—13—13—13—13—13—13——| The low D is from
|———0/12=====|———0/12—12—12—12—12—12—12—12—12—12—12——| the last note of
|————————————|———————————————————————————————————————| the main part.
|——(0)=======+——(0)==================================|
Part 1a
|————————————————————————————————————————————————————————|
|*——————————————————————————————————————————————————————*|
|*—6^5—0—3^5—0—6^5—0—3^0—3^5—6^5—0—3^5—0—6^5—0—3^0—3^5——*|
|————————————————————————————————————————————————————————|
Part 2
|————————————————————————————————————————————————————————|
|*——————————————————————————————————————————————————————*|
|*——————————————————————————————————————————————————————*|
|——6^5—0—3^5—0—6^5—0—3^0—3^5—6^5—0—3^5—0—6^5—0—3^0—3^5———|
Part 3 Part 4
|———————————————————————+————————————————————| Play part 1a again.
|*—7—7—7=====7—7—7=====*|*——————————————————*| Then go on to:
|*—5—5—5=====5—5—5=====*|*——————————————————*|
|——0—0—0=====0—0—0======+———0^3—3—3—0^3—3—3——|
Fill 1
|————————————————————————| And then:
|————————————————————————|
|————————————————————————|
|——5========0———————0————|
Part 1b
|———————————————————————————————————————| Notice that this is the same as
|*—————————————————————————————————————*| part 1a, but one octave higher.
|*—18^17—0—15^17—0—18^17—0—15^0—15^17——*| Hence the name: Part 1b. Now
|———————————————————————————————————————| play part 1a and part 2 again.
Next play part 1b for a few measures and play:
Part 1b Fill
|————————————————————————————————————————————————————————————————————————|
|———————————————————————————————15^17—18^17—0—15^17—0—18^17—0—15^0———————|
|——18^17—0—15^17—0—18^17—0—15^0————————————————————————————————————15^17—|
|————————————————————————————————————————————————————————————————————————|
Part 1b Fill (cont.)
|————————————————————————————————————————————|
|————————————————————————————————————————————|
|—18^17—0—15^17—0—18^17—0—15^0—15^17——(etc.)—|
|————————————————————————————————————————————|
Part 5
|—————————————————————————————| Later the "——0—2—3" Is
|*———————————————————————————*| is replaced by "—X—X—X—X—X—X—X—X"
|*———————————————————————————*| After that play part 1b.
|——0—0——6—6——5—5——8—8——0—2—3——|
Part 6
|—————————————————————————————————+—————————————————————| The song is
|*———————————————————————————————*|—————————————————————| now over.
|*———————————————————————————————*|—————————————————————|
|———3—X—X—X—3—X—X—X—3—X—X—X—5—6—5—+——3—0—0—3—0—0—3—0—0——|
Use a pick and some chorus effect.
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Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
Each line in a tab represents a string on your bass:
Numbers on the lines indicate which fret to press. For example:
G|-------------------| D|-------------------| A|---3---------------| E|-------------------|
This means you play the 3rd fret on the A string.
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
G|-------------------| D|-------5h7---------|
Pluck a note and then "pull off" your finger to let a lower fret ring.
G|-------------------| D|-------7p5---------|
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
G|-------------------| D|-------5/7---------|
G|-------7b9---------|
G|-------7~----------|
Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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