
Victor Wooten's awesome slapping skills are put into full effect 
on this track from his 
1996 debut album, "A Show of Hands". "Me & My Bass Guitar" is a 
complex sounding song 
that is actually pretty accesible once broken down. As with 
many of Victor's jams, lots 
of ghost notes (written "x" on the tab) fill up space and give 
it that funky, complex 
groove. Also, check out Victor's website to get familiar with 
his "hammer, slap, pluck" 
technique. It is in full gear here. 

Victor also has a secret to keeping his strings from vibrating 
too much: he puts a fuzzy 
hair tie on the neck, dampening the strings enough to keep them 
under control. You can 
see this in any of his videos or pictures of him playing. Use a 
small hair tie to play 
this song —— it is essential to reaching his distinctive sound. 

This tab makes an attempt at all sections of the recorded version 
of the song, and tells 
you how to string them together at the end. Though Victor may 
play it differently, the 
overall effect is achieved! Happy tabbing. 

*  *  *  *  *  *  *  *  *  
SLAMMIN' INTRO GROOVE 
The song begins with a percussive INTRO GROOVE. This should 
be easy to figure out. Aside 
from the chords he "strums", the other notes are just percussive 
experiments he does with 
his palms higher up on the neck.

Play along with the CD and be sure to "strum" those notes with 
all the fingers of your 
right hand. He ends the intro with a quick tap on the G—string's 
23rd fret before 
launching into the MAIN GROOVE. For that tap, use either you 
right hand thumb or index 
finger. 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G——————————————————————————x——x—————x—————x—————x——x——|
D——————————————————————————x——x—————x—————x—————x——x——|
A———————START==>———————————x——x—————x—————x—————x——x——| 
E——————————————————————————x——x—————x—————x—————x——x——| 
    "ah"        "uh"

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G—————x———————————x————————x——x—————x—————x—————x—————|
D—————x———————————x————————x——x—————x—————x—————x—————|
A—————9———————————x————————x——x—————x—————x—————10————| 
E—————x———————————x————————x——x—————x—————x—————x—————| 
      S                                         S

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G—————x———————————x————————x——x—————x—————x—————x—————|
D—————x———————————x————————x——x—————x—————x—————x—————|
A—————x———————————x————————x——x—————x—————x—————x—————|
E—————x———————————x————————x——x—————x—————x—————x—————| 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G—————x———————————x————————x——x———————————x—————x—————|
D—————x———————————x————————x——x———————————x—————x—————|
A—————9———————————x————————x——x———————————x—————10————| 
E—————x———————————x————————x——x———————————x—————x—————| 
      S                                         S

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G—————x———————————x—————x—————x—————x—————x—————x—————|
D—————x———————————x——————x————x—————x—————x—————x—————|
A—————x———————————x———————x———x—————x—————x—————x—————|
E—————x———————————x————————x——x—————x—————x—————x—————| 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G—————x———————————x————————x——x———————————x—————x—————|
D—————x———————————x————————x——x———————————x—————x—————|
A—————9———————————x————————x——x———————————x—————10————| 
E—————x———————————x————————x——x———————————x—————x—————| 
      S                                         S

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G—————x———————————x————————x——x—————x—————x—————x—————|
D—————x———————————x————————x——x—————x—————x—————x—————|
A—————x———————————x————————x——x—————x—————x—————11————|
E—————x———————————x————————x——x—————x—————x—————x—————| 
S

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G—————x—————x—————x————————x——x—————x—————x—————x—————|
D—————x—————x—————x————————x——x—————x—————x—————x—————|
A—————x—————x—————x————————x——x—————x—————x—————12~~~~|
E—————x—————x—————x————————x——x—————x—————x—————x—————| 
 S~~~~~~ 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G———————————x—————x—————x———————————x—————x————t23————|
D———————————x—————x—————x———————————x—————x———————————|
A~~~~~~—————x—————x—————13~~~~~—————x—————x———————————|  To MAIN GROOVE
E———————————x—————x—————x———————————x—————x———————————|
~~~~~~~S~~~~~~R


*  *  *  *  *  *  *  *  *  
MAIN GROOVE / VERSE
Essentially, the main groove is based on triplets. The first 
method of playing this 
groove involves tapping the note with your left hand (marked 
L; the "h" by the number 
stands for 'hammer—on'), slapping the second ghost note with 
your thumb (marked R), 
and then finishing off the triplet with a mute pluck (marked 
P) on the G string. 
Mute the G string with the 'fat' of your playing fingers. 

MAIN GROOVE, without tapping 
      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————x————————x——————————————x—————————————————||
D—————————————h6——x————h7——x——————————————————————————||
A————————————————————————————h7——x————————x—h5————————||
E————h7——x————————————————————————————h5———————h6~~~——||
      L  R  P  L  R  P  L  R  L  R  P  L  R  L  L   

If this strikes you as a little difficult, here is an easier way 
to do it. There is 
no plucking involved. You just tap the note with your left hand 
(marked L), and slap 
the remainder of the muted ghost notes with your right thumb 
(marked R): 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G—————————————————————————————————————————————————————||
D—————————————h6——x——x—h7——x——————————————————————————||
A————————————————————————————h7——x——x—————x—h5————————||
E————h7——x——x—————————————————————————h5———————h6~~~——||
      L  R  R  L  R  R  L  R  L  R  R  L  R  L  L   

Either way works. Practice them slowly at first and build speed. 
When you have the 
'bass' of it, let's add the right hand chord tapping. 

MAIN GROOVE, added tapping with right hand — index & middle
      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———(t19)————————————x——————————————x—————————————————|
D———(t19)—————h6——x————h7——x——————————————————————————|
A————————————————————————————h7——x————————x—h5————————|
E————h7———————————————————————————————h5———————h6~~~——|

G———(t16)————————————x——————————————x—————————————————||
D———(t16)—————h6——x————h7——x——————————————————————————|| 
A————————————————————————————h7——x————————x—h5————————||
E————h7———————————————————————————————h5———————h6~~~——||

Note that both measures of the groove are the same, except for 
the tapping with the 
right hand (written in parenthesis) which goes from 19 to 16. 
Listen carefully to 
the CD to get Victor's experimentations with the tapped chords. 
He sometimes will 
repeat the hit on beat 2 of the measure, and also sometimes slides 
the chords up 
on the release. There's a method to his madness, but I'll leave 
that for you to find 
out. Now on to the chorus. . . 


*  *  *  *  *  *  *  *  *  
BREAKDOWN/VAMP and CHORUS
This is a toughie. Practice this slowly and the speed will come. 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———(t16)————————————x——————————————x————————x————————|
D———(t16)—————h6——x————h7——x——————————————————————————|
A————————————————————————————h7——x————————————————————|  <——— VAMP 
E————h7———————————————————————————————h5——x————h4—————|
               L  R  P  L  R  L  R  P  L  R  P  L   

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G———————————4—h7—————4——————————————2—————————————————|
D—————————————————————————————————————h4——x———————————|
A———————————————————————————————————————————h4—————x——| 
E————h3——x————————x————h3——x—h2——x—————————————h2—————| 
      L  R  P  L  R  P  L  R  L  R  P  L  R  LL  R
        "And if you ever looking for me . . . ." 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G——————————————4————————————————————4—————————————————|
D———————————5—————————————————————————————4/5\4———————|
A—————————————————x—h5—————————————————————————h5~~~——| 
E————h3——x—————————————h3——x—h2———————————————————————| 
      L  R  P  P  R  L  L  R  L     P     R L L L
           "Don't go too far . . . . " 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G———————————4—h7—————4——————————————2—————————————————|
D—————————————————————————————————————h4——x———————————|
A———————————————————————————————————————————h4————————| 
E————h3——x————————x————h3——x—h2——x—————————————h2~~~~~| 
      L  R  P  L  R  P  L  R  L  R  P  L  R  LL  
          "'Cuz if you really wanna find me . . . ." 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G—————————————————————————————5/6~~~~~~~~~x———————————|  
D—————————————————7———————————6/7~~~~~~~~~x———————————|   
A————————7/h8/h9————h9\h7\h5——0~~~~~~~~~~~x—————5—————|   
E~~~~~x———————————————————————————————————x———————————|   
      R  L  L  L  R  L  L  R  STRUM~~~~~~~      P
     "You know where I are. . . ."       "With. . 
(As a variation, Victor also takes the strummed 6/7 chord up 
to 7/8 on the 4th beat 
on the 2nd time round) 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————7——————————————————————————————————————x——|
D———————————7————————————————————7—h9—h9——7—h9~~~—————|  To MODIFIED 
A—————————————————x—————6—h7——————————————————————————|  MAIN GROOVE: 
E—————7———————————————————————————————————————————————|
      R     P     R     R  L     R  L  L  R  L     P
. . . Me   and    My    Bass     Guitar!" 


*  *  *  *  *  *  *  *  *  
MODIFIED MAIN GROOVE 
The main groove is slightly different after the chorus. It's 
a combination of the 
original MAIN GROOVE and the end of the CHORUS: 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————x————————x——————————————x—————————————————|
D—————————————h6——x————h7——x——————————————————————————|
A————————————————————————————h7——x————————x—h5————————|
E————h7——x————————————————————————————h5———————h6~~~——|
      L  R  P  L  R  P  L  R  L  R  P  L  R  L  L   

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————6/h7——————————————————————————————————————||
D———————————6/h7——x—————————————h7—h9——9——7——9~~~—————||
A———————————————————h6——6—h7——7————————————————————9——||  REPEAT 4X
E————h7———————————————————————————————————————————————||
      R     P     R  L  R  L  R  L  L  R  L  R     P


*  *  *  *  *  *  *  *  *  
"TOO FUNKY" VAMP
This is the intro to the OFFA DAT FUNK GROOVE. Of course, I can't 
be sure what Victor 
is actually doing when he plays this, however I believe that 
he is utilizing his "picking 
thumb" technique in which he slaps with both sides of his thumb 
in an up—down motion — 
like the motion of a guitar pick. Try and do this whenever there 
is a string of Rs 
together. He varies the riff, but it basically looks like this: 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————————————————x—————————————————————————h4——||
D——————————————7—————————————————————————————7————————||
A—————————————————————————————————————————————————————||  REPEAT 7X 
E—————5——5——5—————x———————————x——x——5——5——7———————————||
      R  R  R  P  R     P     R  R  R  R  R  P     L

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————————————————x—————x—h20———————————————————|
D——————————————7————————x—————x————h19———h19——————————| To "OFFADAT" 
A———————————————————————x—————x—————————————h18———————| FUNK GROOVE:
E—————5——5——5———————————x—————x———————h5——————————————|
      R  R  R  P        R     R  R  R  L  R  R 


*  *  *  *  *  *  *  *  *  
"OFFADAT" FUNK GROOVE
This little groove in the middle of the song is 100% tapping, 
so I've nixed the "h" and 
"t" symbols in the composite —— it's also pretty complicated 
and tricky to get down, but 
luckily just a one measure loop. Repeat it eight times before 
going into the reprise of 
the SLAMMIN' INTRO GROOVE. 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G——————————————7——19——————————————————————19—7————————||
D——————————————7—————————————————————————————7————————||   
A—————21—19—21——————————21—19—21—19—21——————————21————||  REPEAT 8X
E—————7—————————————————5———————————5—————————————————||
      L  L  L           L  L  L  L  L     L     L
      R        R  L     R           R        R     

If that is just too hard to read, I've broken it down into what 
each of your hands should 
be doing:

"BASS" (left hand) tapping chords (h)
      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G——————————————7—————————————————————————————7————————||
D——————————————7—————————————————————————————7————————||   
A—————————————————————————————————————————————————————||  
E—————7—————————————————5———————————5—————————————————||

"TREBLE" (right hand) tapping chords (t)
      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G—————————————————19——————————————————————19——————————||
D—————————————————————————————————————————————————————||  
A—————21—19—21——————————21—19—21—19—21——————————21————||  
E—————————————————————————————————————————————————————||


*  *  *  *  *  *  *  *  *  
SUPERFAST RIFF
"Yo Vic, do that. . uh. . Do that. . .Yeah!". The SUPERFAST RIFF 
sounds amazing on 
the record, and when you break it down you understand why it does. 
Essentially, Victor 
is adding one extra ghost note to the regular groove take it from 
a triplet feel to a 
16th note double—time quad feel. I believe he does it like this: 
The technique now 
shifts from "hammer, slap, pluck" to "hammer, slap, pluck, 
pluck". Try it out, and 
try to find something that feels comfortable. My tablature 
time might not be quite 
right, but throughout this tab, try and concentrate on getting 
the feel by yourself 
by listening to the CD. 

      1 + e + & + a + 2 + e + & + a + 3 + e + & + a + 4 + e + & + a + 
G—————————————x—————————x—x————————x—x————————x———————————x—————————x—|
D———————————x————h6———x——————h7——x——————————x———————————x—————————x———|
A————————————————————————————————————h7———x———————————————————————————|
E————h7———x——————————————————————————————————————h5———x——————h6—x—————|
      L   R P P   L   R P P   L  R P PL   R P P   L   R P P   L R P P 

      1 + e + & + a + 2 + e + & + a + 3 + e + & + a + 4 + e + & + a + 
G—————————————x—————————x—x————————x—x————————————————x———————————————|
D———————————x————h6———x——————h7——x————————————————————x———————————————|
A————————————————————————————————————h7~~slide~down~~\x———————————————|  
E————h7———x———————————————————————————————————————————x———————————————|
      L   R P P   L   R P P   L  R P PR               R 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a 
G———————————6/h7——————————————————————————————————————||
D———————————6/h7——x—————————————h7—h9——9——7——9~~~—————|| Back to 
A———————————————————h6——6—h7——7————————————————————9——|| MODIFIED 
E————h7———————————————————————————————————————————————|| MAIN GROOVE
      R     P     R  L  R  L  R  L  L  R  L  R     P


*  *  *  *  *  *  *  *  *  
"JIGGABUTT" GROOVE and ENDING
There are many ways to play the "Jiggabutt" groove that Victor 
fades back in with, 
but here are two ways that work:

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————6/h7~~————————————————————————7———————————||
D———————————6/h7~~————————————————————————7———————————||   
A———————————————————————h7—h5—————————————————————————||  
E—————7———————————x———————————x—h7—h5———————————5—————||
      R     P     R      L  L    L  L     P     R

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————x————————x————————————————————7———————————||  
D—————————————h6——x———————————————————————7———————————||   
A———————————————————————h7—h5—————————————————————————||  REPEAT w/adlib 
E————h7——x————————————————————x—h7—h5———————————5—————||  until end
      L  R  P  L  R  P   L  L    L  L     P     R


Variations: Listen out for some of Victor's variations throughout 
the last part 
of the song. Sometimes he doesn't hit the 7/7 chord at all. Also, 
he sometimes 
hits "off" notes (followed by a "What?" on the record) that are 
worth checking out. 
And finally, the last two measures of the song: 

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G———————————6\h7~~————————————————————————————————————|
D———————————6\h7~~————————————————————————————————————|   
A———————————————————————7—h5——————————————————————————|  
E—————7———————————x———————————x——5——4—————5—————6—————|
      R     P     R      L  L    L  L     

      1  e  &  a  2  e  &  a  3  e  &  a  4  e  &  a  
G—————7~~~~~~~~~~\x———————————————————————————————————||
D—————9~~~~~~~~~~\x———————————————————————————————————||
A—————x~~~~~~~~~~\x———————————————————————————————————||
E—————7~~~~~~~~~~\x———————————————————————————————————||
      STRUM~~~~~~~"Ack! Don't mighty know."     
       

*  *  *  *  *  *  *  *  *  
PUTTIN' IT ALL TOGETHER
Now, follow the chart, put the pieces together, follow the instructions, 
and you're 
set to perform the CD version of the song! You may want to add a 
touch of reverb, 
which is what it sounds like Victor's doing. It also helps the 
dynamic. And be 
creative! Add your own parts, and make the way you perform it 
your very own! 

Me & My Bass Guitar Chart: 
SLAMMIN' INTRO GROOVE (as written) 
MAIN GROOVE, without tapping (4X; end on the 3rd beat's note 
on the 4th measure) 
MAIN GROOVE, with tapping (4X; vamp into the chorus) 
CHORUS (as written)
MODIFIED MAIN GROOVE (4X; end on the 3rd beat's note on the 7th 
measure) 
MAIN GROOVE, with tapping (4X; vamp into the chorus) 
CHORUS (as written)
MODIFIED MAIN GROOVE (4X; end on the 3rd beat's note on the 7th 
measure) 
TOO FUNKY VAMP (as written) 
OFFADAT FUNK GROOVE (as written)
SLAMMIN' INTRO GROOVE (as written)
MAIN GROOVE, without tapping (2X) 
SUPERFAST RIFF (1X) 
MODIFIED MAIN GROOVE (till "fade out") 
JIGGABUTT GROOVE and ENDING ("fade in", play until ending.) 


*  *  *  *  *  *  *  *  *  
END NOTES
Victor Lemonte Wooten is a fabulous musician —— a true bass virtuoso. 
Exploring his 
song "Me and My Bass Guitar" is intended to teach you some of his 
trademark techniques 
in a way that is fun and challenging (and so you can show off to 
your friends!) Teaching 
myself this song has opened up whole new worlds of technical 
ability that I apply to my 
playing and compositions. As Victor would put it, learning 
the song is a means of giving 
you new tools to build up your own work. There's no point in parroting 
Victor's voice, 
so use his gifts to help you strengthen your own voice. Lastly, 
know that my fingerings 
on the tab are for me — it's likely you'll find easier ways to play 
what I've written, 
so explore that. I hope that this complete version is accurate 
and easy to understand —— 
feel free to email me at [email protected] if you have any 
questions. I'm an 18 year 
old bassist in NYC looking for a gig! Gimme a gig man! Happy playing.
About Victor Wooten

Victor Lemonte Wooten (born September 11, 1964) is an American solo bassist, composer and author.
How to Read Bass Tabs

Bass tablature (tabs) is an easy way to learn songs without needing to read traditional sheet music. Here’s a quick guide to understanding the symbols and techniques commonly found in tabs:
1. The Basics

Strings and Frets:
Each line in a tab represents a string on your bass:
- The top line is the highest-pitched string (G on a 4-string bass).
- The bottom line is the lowest-pitched string (E on a 4-string bass).
Numbers on the lines indicate which fret to press. For example:
```
G|-------------------|
D|-------------------|
A|---3---------------|
E|-------------------|
            
```
This means you play the 3rd fret on the A string.
2. Common Techniques

Hammer-On (h):
Play the first note by picking it, then press down on a higher fret with another finger without picking again.
```
G|-------------------|
D|-------5h7---------|
            
```
Pull-Off (p):
Pluck a note and then "pull off" your finger to let a lower fret ring.
```
G|-------------------|
D|-------7p5---------|
            
```
Slide (/ or \):
Move your finger up (/) or down (\) the fretboard while maintaining pressure.
```
G|-------------------|
D|-------5/7---------|
            
```
3. Advanced Techniques

Bend (b): Push the string up or down to raise the pitch. Example: G|-------7b9---------|
Vibrato (~): Shake the string slightly after playing a note to create a vibrating sound. Example: G|-------7~----------|
Muted Notes (x): Rest your finger lightly on the string without pressing a fret and pluck for a percussive "click" sound.
4. Rhythm and Timing

Tabs don’t always indicate timing, so listen to the song while reading the tab. Wider spaces between numbers mean longer pauses, while closer numbers indicate quicker notes.
5. Slap and Pop

Slap (s): Strike the string with the side of your thumb for a percussive sound.
Pop (p): Pull the string away from the fretboard and let it snap back.
Practice Makes Perfect

Tabs are a great tool to learn songs, but mastering the techniques takes practice. Listen carefully to the original track and play along to lock in the rhythm. Don’t rush — smooth, accurate playing is more important than speed. Happy jamming! 🎸
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Victor Wooten — Me & My Bass Guitar bass tabs
